Fragment 209, Word count: 579.

tags: aristocracy, value culture, violence, science, religion, arts-washing, spirituality, time, ideality.

The culture of violence is a core element of aristocracy, out of whose practices in an earlier historical era emerged the forms of modern sovereign state governments. The culture of violence separates aristocracy from ‘bourgeois’ culture, which aspires to achieve the same luxuries, prestige, and level of consumption without the overt and personal use of violence. The aristocratic culture of violence is still an active presence in the modern world, even in the most democratic polities. Sovereign states still base their authority on a near monopoly of violence. Crime families and criminal organizations (true heirs of aristocracy) generally cling to the culture of violence as an indispensable instrument for achieving their goals, and so do the political forces in the right-wing or conservative tradition, which is clear from the importance of guns to the political right-wing. The culture of violence is inseparable from the aristocratic value culture of tangible rewards, mainly clustered around competitions for scarce and exclusive property wealth, trophy possessions, along with coercive power, and such a value culture still dominates popular aspirations and conceptions of personal success. A great deal of arts-washing has always been showcased to hide the viciousness of aristocratic venality and to manufacture an image of aristocratic glamour.

The Ultimate Left

Ultimately, the political left must be a spiritual alternative to the material treasures of violence-based wealth systems grounded in competitive property possession, but also to the great-spirit-in-the-sky religions of our dystopian past. The spiritual alternative is a matter of recognizing the anomalous existence of teleological orientation and bearing, ideality busily self-amending as an embodied “I” active in the creation and recreation of futurity. To say that intelligence is caring is to say that intelligence is an “I”, a personality, an embodied idiosyncratic caring. Caring expresses a very strict kind of particularity: of sensitivities in aid of felt dramas, of powers to recognize relevance and structural connections for interior model-world-construction as the framework and lens of perception within personal orientation, particularity of point of view, of quests and questions, of curiosity, of pleasures, of aesthetic gratifications, of energy, of the self-declaring voice. Perception is not an imprinting somehow made upon an innocent and passively receptive consciousness. It is an active intervention by an ideality, a reaching and taking hold, an interest-driven study that is performed in a vast echo-chamber of personal recollections and anticipations. The “I” of this discreet spiritual existence, this ideality, is appropriately followed by a name, indicative of a rich uniqueness: “I, Odysseus”.

Each such anomalous existence is one among a multitude of points and arcs of improvisational indeterminacy in existence, the existential opposite of a black hole, creating new reality all the time and experiencing value in creating. The inventive freedom of each individual ideality means that no form of social, economic, or cultural organization is strictly determined (say, by divine fiat or natural law) to be or remain as it has been. It follows from this that the scientific consensus on fundamental reality is decisively incomplete, and, as such, wrong, just as any previous religious consensus was. The fact of ideality’s metaphysical status as an anomaly (shining peak vs black hole) with respect to the brute actuality of nature, means that neither individually embodied instances of spirit nor their creations are subject to the two normal justifications for social hierarchies: decrees of capricious divine will and the deterministic laws that describe brute material actuality.

Embedded links:

Fragment 195, October 21, 2022, Spirituality of the Left (word count: 474)

Fragment 205, February 3, 2024, Our Dystopian Past (word count: 1,543)

Copyright © 2024 Sandy MacDonald.