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Tag Archives: civilization

The Edge of Existence

28 Monday Jun 2021

Posted by Sandy MacDonald in Blind spots in thinking, Culture, Embodiment, Freedom, Hierarchy, Nature, Political Power, Subjectivity, Transcendence

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agency, caring, civilization, culture, drama, empathy, existence, freedom, malaise, metaphysics, nature, patriarchy, politics, time

Fragment 178, word count: 1,044.

tags: existence, metaphysics, time, creativity, freedom, caring, drama, agency, empathy, science, religion, politics, patriarchy, civilization, malaise.

The difference made by recognizing a bit of metaphysics, specifically a certain conception of ideality, is a much needed and long overdue disruption of two canonical but failing universal explanations: religious personification of nature and the materialist fatalism of science. Thinking of ideality as embodied (discontinuous and discretely located) points and arcs of creative intentionality* opens a way to recognize human-scale freedom and creativity as real without wildly speculative and implausible personifications. Human reality is a beach where a personal interiority of ever-reshaping dramas made of caring and ideas (expectations and hopes, questions, aspirations, and intentions) gush out in deliberate activity and wash actuality. Features of brute actuality can be shaped into culture by these actions. Culture in this sense is any product of intentional craft, any effective application of purposive ideality to the merely natural material of actuality: the carved wood, the ploughed field. Freedom is real in this tumbling co-existence of gushing creative ideality and the absolute incompleteness of existence (both ideality and actuality) as witnessed in the endless passage of time. Any serious conception of freedom requires enduring points of ideality actively living, forming actuality, at the incomplete edge of existence, continuously actualizing a stream of spontaneously invented intentions within a personally learned and learning context of expectations. Knowledge is always an elaboration, specification, and development of personally created dramas of caring.

Since the European codification of mathematical science in the seventeenth and eighteenth centuries, after nearly a millennium of theocratic Christendom, the most innovating civilizations have been stuck with a dysfunctional codependence of scientific materialism and immaterial angels and demons. Both religion and science have ongoing appeal, science from rapidly developing commercial applications, especially communication and data processing technology (innovations in entertainment with advertising), vaccines of course; and religion from a most primitive reflex to personify the world, which is to suppose that purposive intentionality creates everything. But the binocular culture which perceives with the materialist lens in one eye and the world-personifying lens in the other is spectacularly unsuccessful delivering peace and justice in its political and governance arrangements, and no wonder. Science and religion have in common a fundamental legitimation of patriarchal hierarchy as core social organization. To be clear, this is top-down human-on-human macro parasitism, various forms of the master/ slave relationship. Religious personification asserts that such organization is the eternal divine plan (divinity is the primordial master), and scientific fatalism that such a food chain is made inevitable by immutable forces of nature. These are both conceptions of existence as profoundly complete, without any possibility for the creation of real novelty. In that context governance is a matter of imposing on everyone an orientation up the hierarchy for a sense of direction derived from an overarching culturally stipulated drama.

Culture in this sense is the complex system of imitative, repetitive, and normative human activity that expresses and sustains a collective’s sense of unity and identity. This is the sense in which culture, in the context of patriarchal parasitism, imposes a hive-mind on its participants. This has produced and maintained dystopian political regimes poisoned by the history of war culture abetted by religions that demand irrational credulity and fervent expressions of reverence and supplication upward, situating deity at the apex of human hierarchy. Outsourcing the determination of reality to a God, impersonal Platonic Ideas, or even just nature denigrates human ideality by alienating the creative work of conceptualization actually required and accomplished by individuals orienting ourselves in the world. It represents human interiority as a passive recipient of a pre-completed world, including the social and political world, and has the effect of cementing individuals into a mass mythology of inadequacy and dependence. Science further denigrates personal interiority by reducing it to biologically pre-determined lusts and reactions to external stimuli, and religion denigrates it as an engine of error and misery, completely hopeless without the controlling intervention of some more perfect and powerful personification.

Individual ideality, however, is profoundly more active and creative than religion or science can recognize. The primordial act of self-creation by every ideality is the supposition of time. Ideality is the non-actuality which supposes. Every ordinary living consciousness is a self-creating time-wave, living in and through a constant flight through time. A time-wave is a dramatically-propelled progressive change of suppositions. One vector of this flight consists of things slipping by and falling away, and the other vector is a dramatic personal leap into a supposed future. Time is a personal dimension of ‘metaphysical’ non-actuality in which, oriented with knowledge, expectations, and questions abstracted from a supposed ephemeral past, an intelligence creates specific intentions to project itself with a degree of creative freedom into an ever-newly-opening not-yet or future. This being-in-time distinguishes ideality from the natural world within which we build lives. Time is the opening of freedom-from-nature at the edge of existence and as such the transcendence that spiritual interiority brings to the beach of reality. With an appropriate sense of this interiority the personal importance of competitions and appearances falls away. The reason for a culturally obligatory reliance on socially constructed outward representations of personal identity with trophies (possessions, status, career path, social network, costumes, titles, personal hero story) is that there is no comfort with any conception of personal interiority in the culturally dominant conceptual system.

The political difference made by recognizing persons universally as metaphysical engines of spontaneous creativity, exploiting a precarious position at the edge of existence by improvising a desperately caring drama of sensitivity and personal expression, is a flattening of the political landscape. There is no justification here for master/ slave social organization. There is no general disrespect or denigration of humanity/ personality inherent in this conception. The political imperative changes from imposing control via belligerent us-against-them hive minds to cultivating and encouraging autonomous creativity and person-to-person interconnections shaped by empathy.

The often lamented malaise of civilization is the result of extreme cultural denigration of humanity/ personality combined with a romantic overestimation of the explanatory power of mathematical science. These have killed off innovative thinking involving metaphysics, but only a certain metaphysical reconceptualization can amend the currently toxic cultural legacy.

Note

* ‘Intentionality’ in the sense of pre-conceiving future interventions in actuality for specific purposes, a poise within the anticipatory ideation of agency.

Copyright © 2021 Sandy MacDonald.

Irritation Alert!

21 Tuesday Mar 2017

Posted by Sandy MacDonald in Freedom, Transcendence, Why thinking?

≈ 1 Comment

Tags

civilization, idealism, interconnectedness, metaphysics, religion, spirituality, time

Tags: time, spirituality, metaphysics, idealism, religion, civilization, interconnectedness

A certain philosophical position is being developed in these blog postings, and it is likely to be irritating to almost everybody. At the core is a certain metaphysical claim about time, freedom, intelligence, and transcendent spirituality. Time is taken as a spiritual reality although not an objective actuality. This involves a claim that a somewhat novel idealism is required for understanding time, which will be nonsense to people devoted to materialism, realism, empiricism, and the application of those notions in science. However, the account of spirituality rejects disembodied caring, cosmic moral ledger keeping, original sin, a cosmic plan, faith in mysteries, and the relevance of eternity, most of the key features of religions, and so will be distasteful to adherents of religion, both eastern and western, antique and New Age. This philosophical position supports the optimistic claim that the best days of humanity should be in the future, and so will disappoint those who long for a return to the wisdom of ancient, medieval, or other pre-modern cultural systems. In common with an important stream of seventeenth and eighteenth century philosophy, it finds dystopian features in what is called civilization, in all existing cultural systems including the post-feudal and post-colonial Euro-American regime of investor supremacist capitalism. (These dystopian features are crucially linked to questions of philosophy and yet are unrecognized by historians and social scientists.) That line of exploration will be just noise to supporters of market solutions to social problems such as liberals, corporatists, investors, and most academics. The account given here of the human interconnectedness denies the importance of the masculine virtues of strength, kinetic action, and competitive spirit, and so will be distasteful to sports fans and generally to males in traditionally masculine sub-cultures and occupations. It rejects the importance of the symbols and the pageantry of communal unity and transcendence, of superiority and inferiority, including property accumulation, and so will be opposed by traditionalists, social pragmatists, communitarians, and symbolists. It rejects the legitimacy of sovereignty, and will therefore be distasteful to monarchists, conservatives, communists, and meritocracy enthusiasts. However, it takes human interconnectedness and sociability so seriously that it will be distasteful also to gun and property-focused libertarians. Yet, it is a kind of metaphysics of individual autonomy and supports the universality of individual human dignity as conceived in the Enlightenment, so alienating post-modernists. It rejects the tragic view of life and the spiritually ennobling effect of stories, music, fine arts, and monumental architecture, so will be distasteful to romantics and opera fans. It asserts philosophical thinking, rather than journalism, as the way to hold power to account. Many of the postings may feel long and troublesome to read, with unexpected progressions. However, if you really want the “red pill” experience, then, as Cypher said to Neo: “fasten your seatbelt, Dorothy, ‘cause Kansas is going bye bye”.

Copyright © 2017 Sandy MacDonald.

Two Lessons from History: Bad News First

03 Wednesday Dec 2014

Posted by Sandy MacDonald in Equality, Gender culture, Hierarchy, Political Power

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Tags

aristocracy, civilization, class, culture, History, human parasitism, oppression, politics

The Malice of Civilization

Human-on-human parasitism is not something civilization strives to overcome, not some accidental or unanticipated by-product of the social and political institutions called civilization, but rather is the entire intent and matrix of, the fundamental goal and reason for, the arrangements of civilization. Political and economic arrangements originated historically in the violent coercion of human communities by certain human factions determined to enjoy the benefits of parasites by means of that coercion. History reveals a human community divided between parasite factions and the human masses they prey upon. The most obvious lesson from history is the global triumph and entrenchment of a culture supporting top-down human-on-human parasites. It isn’t human nature which preserves the common injustices which constitute parasitism, but rather a specific dominant, pervasive, and institutionalized culture dependent on inequality and subordination, a culture which could be called will-to-power masculinity. For oppressions of ethnicity, race, class, gender, or religion (or atheism), it isn’t human nature that has to be confronted and somehow overcome, but the parasite faction’s culture (a “unified field theory” of oppression). What is waiting for everyone riding the social mobility bus north into the corporate and investor class is benefits from the practices of parasites.

A clear view of the malicious culture at the heart of civilization can be found in The Shape of Medieval History: Studies in Modes of Perception, written by William J. Brandt*, in which a close study of medieval chronicles shows the values and patterns of perception characteristic of European aristocracy, the cultural faction pioneering economic and sovereign power as it still exists, forming institutions of sovereignty, nationality, war, high culture, and wealth distribution that still function throughout the modern cultural system. It is the ethos of an absolute and unending quest for splendour of personal reputation, the culture of manly honour/ profit that still plagues humanity in many forms. Those aristocrat knight/ barons and their literate intelligentsia took themselves (barons) to be models of human nature at its purest, which is to say devoid of and contemptuous of empathy. They also conceived their Christian deity as very much like themselves and as such the source and proof of their superiority. Something that Brandt does not say, but which is implicit in his observations, is that those medieval barons (armed men on horses) were consolidating a way of living as human parasites on many levels. They were parasites on the females of their own class (for their reproductive and nurturing labour), on people outside their class working to create the necessities of sustainable lives, and most immediately on animals, the horses that were forced to carry them and the dogs that did their hunting, for example. The barons acquired ownership of property of all kinds by lethal assault, and refined a culture which glorified their looting. Brandt refers vaguely to the fading of their culture, sometimes called feudal chivalry, but it cannot be doubted seriously that there is a direct line of cultural descent, a single ethos, extending from knight/ barons in the chronicles studied by Brandt to contemporary crime families, corporations (such as investment banks), and governments (especially in their military culture, covert activities, and ‘foreign’ relations), all of which have the means of evading law and so the immunity to act out patterns of behaviour which channel the culture of the barons. The households of barons were organizational embryos of the governments of modern sovereign states, of corporations, and of crime families; and their personal ethos remains the cultural ideal of capitalism and masculinity generally.

Culture is Strategic Propaganda

In their fetish for display, ornamented decoration, pageantry, ceremony, and elaborate entertainment the barons inaugurated the models of high culture and fine art which still endure. The people who can afford to consume the work of artists on a moderate to large scale, to employ artists and to commission particular works, are royals, aristocrats, capitalists and their wealth organizers, princes of the Church, and people in power. When they have their portraits made or commission architecture and monuments, the intent is to idealize, glorify, and immortalize themselves, their culture, and the whole parasitic system of power and wealth they represent. Works of art in that context are intended to overpower and bedazzle, to halt critical thinking by invoking emotional currents with the specious beauty of an image or an impression. Of overriding importance for fine art in the capitalist economic system is that it is a branch of the finance/ investment industry, a luxury goods trade dealing in trophy items promoted as so rare, unpredictable, and impressive that they become an investment hedge for surplus wealth. Of course individual creators are capable of removing their creative process from that superstructure of art culture, but in no case are the artifacts produced important enough, neither individually nor in sum total, to count as justifications for, or legitimizing achievements of, parasitic culture and practice.

The coercion practiced by parasite factions has been normalized through efforts of that faction’s intelligentsia to construct benign explanations and justifications for it, normally by appealing to an omnipotent divine intelligence, to “justify the ways of God to man” (John Milton, Paradise Lost). Any religious culture featuring omnipotent cosmic forces serves instantly to justify whatever happens to exist. Intellectual work, including philosophy, is always written in a cultural context controlled by top-down human-on-human parasites, and intellectuals normally belong to, or owe their livelihood to, the parasite faction, and like everyone have to contend with the coercion of ambient parasites. In that context many philosophers devote themselves to an attempt to justify, even sanctify, existing institutions and avoid thinking beyond the belief system which supports inequalities of wealth and power. The fact that Aristotle invented justifications for slavery, for example, illustrates the longstanding effort by philosophers to conceive grounds of morality other than empathy, so that universal equality could be avoided and the brutality of sovereign states and the baronial classes which operate them could evade a true moral evaluation.

So, not only are the parasites diverting benefits disproportionately to themselves, but, far more importantly, by decisive influence on both high culture and popular culture, including religions, art, entertainment, media of advertising and journalism, and intellectual culture, they arrange messaging to convince everyone that their arrangements are inevitable, pre-determined by higher powers, by God or nature, the best of all possible worlds. In aid of that, there is cultural support for the assumption that individuals are not competent to identify and think about this issue, that we do best keeping a narrowly practical focus, earning and consuming as much as we can manage, refreshing ourselves with cultural entertainments and doing our utmost to ride the social mobility bus up, changing nothing but our personal circumstances. The idea of human equality has such a difficult time being broadly understood and embraced because the entire culture of institutionalized sovereign states and their economic organization is founded on top-down human-on-human parasitism constantly declaring justifications for itself.

*The Shape of Medieval History: Studies in Modes of Perception, written by William J. Brandt, published by Schocken Books (1973), ISBN 0-8052-0408-3.

See also:

1215: The Year of Magna Carta, written by Danny Danziger and John Gillingham, Published by Touchstone (2005), ISBN-10: 0743257782, ISBN-13: 978-0743257787. This is an illuminating glimpse of life in Europe at an important moment in the development of law. At that moment it was perfectly clear that the social layer made up of the landowning aristocracy or nobility was nothing other than crime families.

The Wars of the Roses, written by Robin Neillands, published by Brockhampton Press (1999), first published in the UK 1992 by Cassell plc, Villiers House, London, ISBN 1860199976.
The brutality of the European military aristocracy is clearly illustrated in this narration of dynastic conflict through generations of the extended Plantagenet family.

For a glimpse of the adaptation of top-down culture control to modern conditions listen to the following audio documentary:
World War One and the Birth of Public Relations, Canadian Broadcasting Corporation (CBC), Radio One, Program: Ideas, (Wednesday, November 26, 2014) Ira Basen reports on how the science and industry of public relations arose from American institutions promoting World War I.

Copyright © 2014 Sandy MacDonald.

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