Tag Archives: Marxism

The Left is Dead. Long Live the Left!

21 Wednesday Mar 2018

Posted by in Class War, Culture, Equality, Freedom, Hierarchy, Narrative, Political Power, Strategic thinking, Subjectivity, Transcendence

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Posting 125, Word count: 1,799.

The current idea of the political left-wing features struggles by organized labour for greater benefits within investor-supremacist capitalism, raising working class consciousness about structural inequalities in wealth and power. Historically, that view of the meaning of the left developed from the Hegelian/ Marxist idea of economic determinism, the idea that social classes defined by economic conditions are the units of a pre-determined progression of human societies along a course of dialectical historical stages. The idea that there is a natural large-scale structure to change in human societies was profoundly appealing in the middle of the nineteenth century because disruption of traditional social hierarchy had become alarming, in a process that began soon after the launch of overseas European imperialism in the sixteenth century, with wealth looted from other peoples pouring into Europe to financial speculators and commercial and military opportunists. Previously, tradition and custom in Old Regime Europe, the fabric of its rural-agrarian system of wealth and power, kept popular patterns of thinking quite rigidly in thrall to monarchy, aristocracy, and Church. Notwithstanding the Renaissance and the Protestant Reformation, eighteenth century Europe was still a largely Christian institution, pervaded by patriarchal Christian control at all levels. Disruption of the old hierarchies of wealth, work, and circumstances of living resulted in struggles over power, and broke apart the “order” that had been sacred to the patriarchs of the Old Regime. In the shattering world of new money-wealth, lost attachment to land and locality, and desperate uncertainty for masses of people dependent on industrial employment, the old system of belief and ways of thinking lost contact with reality, and people generally needed new markers by which to reorient. There was a widespread sense that individuals were caught up in forces that were far beyond their powers to control or understand. The forces at play were in fact the competitive greed and racism of the leading factions of European society, expressing the macro-parasitism inherent in their patriarchal culture. Marx’s claim that there were scientific laws of historical change gave hope to a segment of Europe’s intelligentsia, the educated heirs of the Enlightenment era, who saw this claim as a message they might use to reorient the proletarian masses being treated on their native ground in the bestial and dehumanizing ways developed to maximize profits to investors from overseas imperialism and commercial exploitation. In Europe this was still novel and startling, engineered by newly powerful social factions, beyond any custom or tradition that might blend it into an appearance of natural order.

The idea of a predetermined pattern of social and cultural change, arcing inevitably toward justice, has lost all plausibility, especially since the collapse of Marxist regimes in eastern Europe, leaving a fatal ideological void for the most popular conception of a political left-wing. However, the collapse of that idea does not undermine entirely the force of left-wing politics because there was a previous and original “left” movement before the grandiose Hegelian metaphysics took hold. That original leftist movement was the party of philosophy itself rather than the party of organized labour. Specifically, it was the party of a secular philosophy of cultural Enlightenment, and it represented what had become known as the Republic of Letters, independent scholars of various backgrounds and nations publishing mainly outside institutions such as Church foundations and universities. The printing press, since its launch in the fifteenth century, had spread through private business ventures, free of immediate institutional control, and in combination with the graduating cohorts from Europe’s universities created a self-directing network of communication about ideas, and an expanding body of literature, much of it in Latin, the international language of eduction, marking an extraordinary flourishing of the scribal culture of ideality. It was the blogosphere of the late medieval/ early modern period. Philosophy was then, and not for the first time, the innovative force against ossified patterns of thinking, and as such it placed primary emphasis on the individual’s power of rationality, a message often difficult to sustain in the context of the vicious campaigns of race and class assault and propaganda that constituted European imperialism.

The Enlightenment

The core innovation of the Enlightenment was not so much an assertion of individualism as it was a secular concept of human nature which changed the meaning of the individual. In the still dominant Christian view, human nature had an absolute need of external sovereign supervision due to the inherent taint of original sin, declared inescapable by Church father Augustine of Hippo. Christianity reinforced Augustine’s idea with Aristotelian and Platonic metaphysics, both visions of top-down cosmic hierarchy, perfect models for supporting the Church in exercising the sovereignty it asserted to be necessary and beneficent. The radical rationalists of the Enlightenment countered patriarchal Christian ideology with two innovations (which eventually proved to be heading in incompatible directions). One replaced the cosmic hierarchy from Aristotle and Plato with an approach that flattened the basic cosmic structure, namely monistic materialism inspired by the metaphysics of Spinoza. More important, the left was the political party of philosophy because it brandished a secular view of human nature emphasizing innate rationality and excluding any inherent flaws and taints, and as such, a human nature not inherently dependent on any sovereign supervision. That was the crucial point, and it put the Enlightenment left in opposition to basic patriarchal cultural mythology, in which the strongest have the (divine/ natural) right of unlimited sovereignty, an assumption still discernible in the idea of ‘meritocracy’, and one that was asserted enthusiastically at the time to justify the most brutal imperialism. This stream of Enlightenment was already and always an anti-imperialist force, the foundation of claims for individual human dignity and rights, equality, secularism, and cosmopolitanism. In a world of people with no need of sovereign supervision, the patriarchal assertion of sovereign rights is naked human-on-human macro-parasitism, vicious and criminal.

European imperialism had given patriarchal dominance-culture unprecedented power both economic and cultural, especially in the hands of new commercial factions. The materialist side of Enlightenment was not a problem for them and in fact was a helpful frame of reference. Mechanistic materialism was making impressive advances in understanding objective nature and delivering new machines for the benefit of large scale industry and commerce. Under the banner ‘science’, claiming to represent strict mathematical rationality, it was acquiring ever-increasing prestige, at the same time realigning with patriarchal assumptions of natural hierarchies, and giving up any claim to flatten the fundamental structure of nature at large. This was the side of Enlightenment that rode the triumphant wave of imperialist wealth and power, but there remained a stubborn minority report: the basis of the political left.

The Enlightenment idea of human nature drew on a history of development that included the campaigns for universal literacy from the time of John Wycliffe (1331-1384), as well as the Lutheran emphasis on a personally interior relationship with divinity in a free act of faith. From that history, Enlightenment human nature was an inherent richness of individual interiority: curious, creative, empathic and sociable, and a rational learner and eager user of language (spoken, written, printed) in engagement with others, deriving fulfillment from mutual support and engagement with others. Cultures are crucial to individual human development, but cultures are bottom-up systems, as illustrated by ever-mutating language, not a gift from on-high, nor dependent on colonial masters or any other sovereign power. In the later part of the eighteenth century, within the milieux of Enlightenment culture which was already a force against imperialism, the philosopher Immanuel Kant worked out a sort of phenomenology of spirit (interiority) in which human individuals are understood as inherently self-legislating, and so, again, not dependent on outside sovereignty. This idea was the unacknowledged pinnacle of long centuries of cultural development in Europe, a minority report presenting an alternative vision for post-Christian society. It means that the decisive theme of western history, what makes the Euro-American cultural system interesting, is the contest playing out there over the legitimacy of sovereignty.

Kant’s philosophical work was arguably the best expression of Enlightenment ever produced, a considered advance beyond Spinoza’s materialist monism. There was room in Kant’s vision for both objective empirical science and for an individual interiority that was truly transcendent in its creative freedom. The problem was that, in the context of the mesmerizing frenzy of race and class violence in the era of high European imperialism, nobody was ready to digest the idea of human subjectivity free of an inherent dependency on sovereign power. In spite of that, the enriched conception of human nature had deep historical and cultural roots in this increasingly literate society, flourishing in the Republic of Letters and embryonically in Protestantism, far too embedded to be dismissed. This made a deeply divided cultural landscape that included patriarchal Christianity with its long-established ideology of sovereign power; newly triumphant money-wealth culture, heir apparent to patriarchal macro-parasitic top-dog-ism; scientific materialism as the servant of money-wealth culture; and a vision, contested by all those other cultural forces, of individual interiority as the fountain of creative freedom. The other cultural streams have strong and separate reasons for fearing and loathing the radical Enlightenment idea of the individual. Science can’t abide the existence of creative freedom as a transcendence beyond its laws of determinism; and even the new patriarchal hierarchies can’t abide the prospect of loosing their controlling grip on the work and consumption of the masses, a grip they conceive as power. Those forces have done their best to suppress the radical Enlightenment insight, and have had considerable success working cooperatively.

The Marxist conception of the political left is surely dying, but that is not a decisive loss for a politics of the left, and should be a benefit. Marx’s dialectical materialism and its laws of history show how materialism quickly goes to strict determinism, unfreedom, and the disappearance of transcendence into meaninglessness. In addition, the introduction of Marxist ideas in the nineteenth century revived, in a new form, the pre-Enlightenment assumption that collectives are the primary independent human entities exercising legitimate rights over individuals, traditionally by means of monarchy, aristocracy, and the hierarchy of the Church, but also by means of police, military service, civic pageantry, censorship, and mass propaganda. Marxist party leaders took over that fundamental idea of authoritarian sovereignty, and in doing so decisively deflected leftist development away from its original trajectory. Some philosophy consistent with the radical Enlightenment insight, a secular vision of rich individual interiority, transcendent in its creative freedom and as such the basis for community, cultural development, and fulfilling human interconnection, must be the perennial core of any politics of the left, its taproot as the party of philosophy.

Recommended

The Old Regime and the Revolution, Volume I: The Complete Text, written by Alexis de Tocqueville, Edited and with an Introduction and Critical Apparatus by Francois Furet and Francoise Melonio, Translated by Alan S. Kahan, Published by University of Chicago Press (2004), ISBN: 0-226-80530-1.

Democratic Enlightenment: Philosophy, Revolution, and Human Rights 1750-1790, written by Jonathan I. Israel, published by Oxford University Press (2011), ISBN 978-0-19-954820-0.

Revolutionary Ideas: An Intellectual History of the French Revolution from The Rights of Man to Robespierre, written by Jonathan Israel, published by Princeton University Press (2014), ISBN: 978-0-691-16971-2.

A History of Western Political Thought, written by  J. S. McClelland, Published by Routledge (1996), ISBN-10: 0415119626, ISBN-13: 978-0415119627.

Copyright © 2018 Sandy MacDonald.

Politics is Metaphysics (3): Crisis of the Left

18 Wednesday Oct 2017

Posted by in Class War, Culture, Equality, Freedom, Nature, Political Power, Subjectivity, Transcendence

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Posting 117, word count: 1199

Metaphysics is the ultimate weakness of the political left-wing. Right-wing politics is the promotion of patriarchy, and the main pillar of patriarchy is the widespread personal orientation (superego) formed around bogyman metaphysics, assumptions of cosmic moral ledger-keeping in preparation for a final reckoning, a cosmic plan. Any conception such as karma that includes the idea of a cosmic reckoning, or any other reward and punishment after death, is personification of nature on the grand scale (bogyman metaphysics), entrenching an idealized paradigm of patriarchy as a top-down personal orientation. Platonic Ideal Forms and any other metaphysics ascribing primacy to some conception of eternal Being or a Great Chain of Being are also examples of top-down metaphysics. It is the top-down orientation which confers meaning on imperialistic war. Right-wingers have elaborate social and biological theories (Hobbes, Darwin) cementing conflict, trophies, and centralized monopolies of violence as crucial forces of civilization and society. Such theories are expressions of top-down metaphysical assumptions, and the metaphysics is the ultimate support of right-wing political power. Right-wing thinking operates in an overall conception in which the objective world consists of certain specific, determinate, and eternal structures (great chain of being) and categories (atomic facts) which pre-determine what is correct thinking and perception for every individual. In that right-wing world everyone’s subjectivity must be and should be formed by, and subordinate to, the determinate structures and categories of the objective world, including social, economic, and political structures. The right-wing orientation is a looking outward for transcendence or for an equivalent for transcendence in material determinism, categorically given and absolute in the Great Chain of Being. Top-down metaphysics is entirely bogus but unfortunately is the universal cultural default, entrenched by history and tradition. Such is the dystopia in which the prospects and strategies for autonomous thinking as an individual must be devised. The good news is that, since the personal superego is the patriarchy, then disrupting the patriarchy is an accomplishment of thinking, an intellectual and cultural enterprise. More good news is that there has been since ancient times a cultural stream of philosophical thinking, a minority report, that resisted and disputed the dominant orientation.

Historical Roots of the Political Left

The main roots of the political left, expressed for example in socialism, are in the philosophical movement known as the Enlightenment of the seventeenth and eighteenth centuries, specifically in the radical branch of the Enlightenment which asserted universal human rationality, a transcendent power at the level of the individual, and developed that claim into a profound rejection of social and economic inequality as most evident in such institutions as monarchy, aristocracy, and religious hierarchies. The other looming presence in the ideology of the left, Marxist theory, was merely a footnote to and a distortion of Enlightenment ideas, and Enlightenment ideology itself was a particular formulation of the cultural stream of philosophical thinking that disputed the dominant orientation since antiquity. Marxist theory attempted to change the foundation of egalitarianism from universal human rationality (at the level of the individual) to the predetermined working out of economic laws governing class struggle in history: dialectical materialism. It was a variant of Hegelian (top-down) metaphysics, driven by the cosmic Final Cause, and a tragic dead end innovation. The collapse of communism in The Soviet Union and eastern Europe exposed the absurdity of using materialism as a bottom-up foundation for such Enlightenment ideas as innate rationality, equality, individual human dignity and rights, secularism, cosmopolitanism, and representative democracy. Although materialism can claim to be an alternative to top-down orientations, and was promoted as such by the radical branch of Enlightenment, it cannot avoid determinism and so becomes a justification for anything that exists. The idea of economic determinism is still an institutionalized assumption in the science of economics. Karl Marx’s ideas of dialectical materialism and laws of history demonstrate how materialism settles into strict fatalism, unfreedom, and the impossibility of transcendence (the creation of unforeseeable alternatives and possibilities). The loss of transcendence carries the implication that everything has to be just the way it has always been. The collapse of Marxism was not the collapse of the long historical development of egalitarianism as implicit in Enlightenment ideas, because the same egalitarianism was vestigial in ancient humanist philosophy and in Renaissance humanism and in a continuous stream of cultural developments in western cultural history. The pressure of egalitarianism has lasted so long against apparently crushing forces because it expresses the fundamental reality of transcendence at the level of the individual, implicit in the idea of universal human rationality. The collapse of Marxism merely discredits materialist and top-down metaphysics (as in economic theory) as a base for the political left.

Metaphysics for the Political Left

Although in the early twenty-first century the political left is faltering badly for lack of an articulated metaphysics, it already has an informal conceptual framework, a thinking orientation, which implies its metaphysics. Left-wing thinking operates in a conception of the world in which individual subjectivity has an important degree of creative freedom to conceptualize and re-conceptualize the structures of the world, and to intervene in forming and altering those structures. In that context, individual subjectivities have a mission that goes beyond struggling for survival and acquiring trophies and knowledge of objective facts, a mission, instead, to conceive and make an authentically personal mark on the world, to bring goods from a spiritual interiority and inject them into the shape of the public world. Creating structures of mutually nurturing sociability is an essential part of that mission. On the left-wing view, then, individual subjectivity is transcendent in relation to the merely inertial and entropic world. If metaphysics is the identification of transcendence, then the political left is already committed to a metaphysics. Consciousness itself, the being of a spiritual person, a self-constructing idea of a life-in-progress actively opening the world by creatively thinking and working itself into the world, is the only fountain of unforeseeable possibilities creating the openness to an otherwise inertial and entropic world. That makes thinking the transcendent power. Consciousness (thinking) is not a single occurrence but a multitude of separate and distinctly embodied instances, individual animal bodies, some of them human.

The salvation of the left does not lie in abandoning transcendence in a rush to the metaphysical bottom of materialism, nor in a backward-looking reverence for antique conceptions of top-down cosmic providence, but instead in a reconceptualizing of transcendence that builds on the Enlightenment recognition of individual rationality. The great mistake in metaphysics has been to gaze outward, especially toward far horizons, squinting to make out messages in the haze. The focus of metaphysics has to be the looking itself, not what is seen but the seeing. Consciousness, and only consciousness, is transcendent, and consciousness occurs only at the level of the individual, and not as a passive receptivity but instead in the application of personal context in a moment of interpretive sensitivity, a context-projecting moment of interpretation. There is no looking or seeing without an encounter of personally specific context with novel sensitivity, a personally spiritual act.

Copyright © 2017 Sandy MacDonald.

Romantic Idealism and the Mind of God

20 Saturday Feb 2016

Posted by in Class War, Culture, Equality, Freedom, Hierarchy, Subjectivity, Transcendence, Why thinking?

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This is Episode 2 of The Tragedy of Romanticism

Tags: Spirituality, Platonic idealism, Hegelian idealism, Marxism, Kantian idealism, the Kantian revolution, Johann Fichte, Romantic idealism, Martin Luther, Roy Bhaskar, the tragic sense of life, nihilism, modernity, The French Revolution, 1789, 1517, the Thirty Years War, the mind of God

Informal Romanticism

The French Revolution of 1789 expressed a primal, informal, romanticism that was an inspiration for the philosophical romanticism that developed soon after. It was a projection outward of subjective aspirations, heroically, against the teeth of practicality and realism as defined by the apparent balance of forces and probable achievements. “This is what we want. I don’t care if dreams cannot come true. This expresses my (spiritual) interiority.” The romantic attitude is the opposite of “practical” and “realistic” as ordinarily used. Plans and proposals that count as practical and realistic always expresses a normative political force. In authoritarian cultures, any kind of change in the organization of wealth, power, or status, is considered unrealistic and impractical, and so romantic. That is core conservative political rhetoric and mind-set. In the conservative lexicon “romantic” means frivolous, trivial, crazy, dangerously destructive. Informal romanticism is an assertion of the power of subjectivity against objective actuality, a willing acceptance of the creative non-actuality of subjectivity, but still asserting its value and power. In addition to privileging subjective non-actuality over brute objective actuality, informal romanticism is also a certain characterization of subjectivity, emphasizing the creative, chaotic, emotionally expressive character of dreams in subjectivity. It doesn’t have to be a denial of the reality of objective actuality, only a categorical rejection of the sovereignty and sufficiency of actuality, a resistance to claims of such a sovereignty. The romantic attitude puts emphasis on the creativity of subjectivity, on subjectivity as lawless and capricious, and so on the removal of subjectivity from the pre-determination of both nature and the normative force of cultural models. (Every individual has normative social conformity requirements in addition to the fall-line of physics to limit the possibilities of overtly manifested creativity.) That removal from pre-determination is here called the spiritual interiority of subjectivity.

There was something wildly terrible, tragic, and beautiful (romantic) about the French Revolution, the doomed efforts of age-long victims of aristocratic macro-parasitism, risking their lives and a marginally viable way of life for a slim hope of justice and dignity. By the time of that revolution, Germans had long ago attempted their revolution in the form of the Protestant Reformation, launched by Martin Luther in 1517, and which eventually brought the Thirty Years War (1618-1648), down on their heads. That history left Germans pretty well intimidated, but still substantially Protestant (in very regulated forms) by 1789. However, it could be argued that the Revolution became necessary in France because the Reformation had been so quickly and brutally repressed in the French Wars of Religion in the second half of the sixteenth century, soon after Luther launched the protestant movement. So, as a continuation of post-Reformation re-thinking of fundamental certainties and possibilities (the Enlightenment movement), the Revolution burst forth, and afterward the reactionary backlash inevitably followed, just as it had against the Reformation.

In yet another historical rebound of cultural forces, philosophical Romanticism was an interpretation of the French Revolution by the German academic, literary, and artistic class, just as the Revolution was a kind of French interpretation of the German Reformation (then more than two centuries in the past). The human interconnectedness is a medium and an echo chamber in which cultural creations get refracted by interpretations from person to person (interiority to interiority) and from group to group. In 1789 Germany was emphatically backward looking in political culture as a legacy of the Thirty Years War. German intellectuals such as Johann Fichte (1762-1814) and the artist known as Novalis (1772-1801) were both excited and repelled by the Revolution because in Germany they were immersed in a neo-medieval ideology of admiration for Christendom and its chivalrous aristocracy, even though they longed for complete freedom of thought at the same time. The young German intellectuals felt the thrill of new freedom but desperately wanted to fit it into the stability of existing (medieval) institutions in Germany. They merely wanted people like themselves to be recognized as meriting membership in the fellowship of the privileged.

Broad Effects of Philosophical Fundamentals

Those historical upheavals and catastrophes are inseparably involved with philosophical fundamentals, and especially philosophical conceptions of idealism, of which romanticism is one particular form. Idealism generally asserts that there is a category of non-actuality which is supra-actual, transcendent, and as such indispensable in any conception of reality. That category is what was described above, in relation to informal romanticism, as the spiritual interiority of subjectivity. Both of the following usages of “ideal” illustrate that special interiority. Certain politicians are described as ‘idealist’ rather than pragmatic. Idealist politicians are aspirational in the sense of striving for something not yet actual, something there is reason to believe would be better, but which might be impossible. Also, there is the sense of idealism in “idealized”, in which things are simplified and imagined in a perfected condition. The “idealized” item is distinct from any actual items, and it is commonly understood that, as such, it is interior to some or other subjectivity as an idea. In articulating the importance of a category of non-actuality, idealism goes “through the looking glass” as far as traditional social structures of all kinds are concerned, and so, much depends on the way idealism is conceived. Idealism is politically explosive because it is an affirmation and embracing of a supra-actuality, something more important than whatever nature, previous history, and the sagacious ancestors have bestowed on the current generation in terms of social norms and ways of seeing the world.

Standard Idealism: Plato and Hegel

The directionality of any human gaze is so laden with what cannot be perceived, with subjective non-actualities such as futurity, aspirations, and lessons learned, (caring, anticipation, evaluation) that it points (in addition to a region of surroundings) in a direction that can only be characterized as personally inward, to an interiority of spiritual non-actuality. Any philosophical idealism is some model of spirituality and a recognition of spirituality as elemental or non-reducible. In other words, idealism is some version of absolute recognition of the special interiority of intelligences. Recognizing the special non-actuality of spiritual interiority gives any position an aspect of idealism. A strong idealism asserts that the most fundamental character of the cosmos is intelligence or spirituality.

Romanticism is a kind of idealism, but not the only kind. For example, Plato’s idealism is quite different, and Platonic idealism has been the most influential by far, having established from ancient times a dominance in the European system of cultural reality that still has considerable force. Plato’s Ideal Forms are profoundly stable, eternal, removed from the space/ time and materiality of the mundane world, and so automatically associated with (the interiority of) some kind of divine super-intelligence. In Platonism, the Ideal Forms occupy a position near the top of a metaphysical hierarchy, a structure of descent from a divine One-ness at the highest level of reality down to a churning multiplicity of ephemeral appearances at the level of everyday experience. Their association with intelligence is far removed from ordinary subjectivity and from the capricious personality which some romantics have imagined as divine intelligence. Also, Hegelian idealism has been vastly influential, especially as it lives on in Marxism, in spite of the declared materialism of Marxism (dialectical materialism). The historical effects of Marxism are yet more consequences of the mutating conceptions of idealism. Hegel’s is clearly a mutation of Platonic idealism, a vision of cosmic history as the striving of all-encompassing universal Being toward full reality and self-recognition as Ideal Form. Hegel retains the Platonic metaphysical structure (including levels of reality not unlike those in Roy Bhaskar’s Critical Realism), but in Hegelian idealism the universal Being starts from the bottom and is striving up the “chain of ascent” to the divine One-ness at the final and highest stage of reality.

The Kantian Revolution against Platonism

Then there is the kind of idealism which occasioned philosophical romanticism, namely Kantian idealism, which maps out the necessity of personal spiritual activity in the construction of ordinary knowledge of the world, of every individual’s orientation in the world. Kantian idealism is the most personal and subjective of the philosophical visions of spirituality, especially as tweaked by Fichte. Fichte’s early work, in which he first rejects Kant’s idea of “thing-in-itself” and develops the idea of the individual subjective “I” which must posit its entire world, is the clearest alternative to top-down visions of the cosmos in the whole history of philosophy. Fichte’s vision is a re-orientation or re-conceptualization of reality as a whole, situating individual intelligence at the creative source. Such a re-orientation was implicit in Luther’s “leap of faith”, but was not fully articulated before Kant and Fichte, and there could have been no Fichte without Kant. Romantic idealism was clearly a development from Kantian idealism, although hardly a straightforward one.

Although Kant did describe his work as “a Copernican Revolution” in philosophy, it is not clear that he recognized the full bottom-up social and political implications of his personalized idealism. Kant was a social and political moderate-conservative, and as a university professor employed by the state, his livelihood depended on being seen as a supporter of the status quo, more or less. However, the spiritual entity who is the subject having experiences in Kant’s vision is self-legislating and so has no need for the Church, aristocracy, or any other social authority. Personal spirituality for Kant is almost monadic, clearly influenced by Leibniz in that way but completely free of Leibniz’s totalitarian predetermination. Kant’s personally interior idealism would logically lead to an equality of individuals based on autonomous spirituality, and so it implicitly discredited the whole social edifice of aristocracy and the hierarchy of Christendom. That qualifies Kant’s idealism as an extension of the European revolutionary movement into the matrix of ideas. That is the Kantian revolution, although it is doubtful that the early romantic philosophers understood it in that way. Nevertheless, the response in Romanticism was something altogether shocking: a declaration that philosophy as an activity should be abandoned completely and replaced by art; a call to forsake philosophical thinking, the better to seek immersion in poetry, music, stories, and images. That is why romanticism is more prominent as a literary and artistic movement than as a philosophical system. Something in their interpretation of Kantian idealism brought the romantic philosophers face to face with a vision of human tragedy from which they recoiled. The tragedy does not arise from Kantian idealism or Fichte’s absolute I. Those are not tragic visions.

The Tragedy of Romanticism

Radical French philosophers had made an attempt to construct a Plato-busting bottom-up metaphysics with their materialism (in the footsteps of ancient Epicureans), after the suppression of the reformation in France, and it had been remarkably effective up to a point, but it was not sustainable. Materialism and freedom are mutually exclusive. It was Kant’s elaboration of Luther’s idea of spiritual freedom which really accomplished (on the second attempt, so to speak) the bottom-up metaphysics. Kant’s idealism is clearly set at the level of the ordinary individual person because it is in continuous engagement with brute actualities of the ambient world within which the spirituality finds itself, entangled with effects of the “thing-in-itself”. However, the early romantics encountered Kantian idealism in their studies as Fichte’s philosophy students, and so really encountered Fichte’s interpretation of Kant, and they never took it seriously enough as a description of normal individual intelligence or spirituality with broad implications for empathy, sociability, and politics. Romantic philosophers lived in a very hierarchical culture and age. They would have taken value strata among human beings as self-evident givens. The grip of their top-down orientation was so strong that they couldn’t conceive the absence of hierarchy. So, they came to understand Fichte’s absolute “I” (so much more monadic than Kant’s because of the absence of a countervailing thing-in-itself) as a portrait of divine mind, the mind of God. Certainly it could be argued that the main effect of Fichte’s dismissal of the thing-in-itself was exactly to make his conception of spirituality less human and essentially divine.

As a vision of the divine mind, there was profound novelty about Fichte’s “absolute ego” as compared to the God of Abraham, of Maimonides, or even the purely rational God conceived by Leibniz (much closer to Fichte in cultural tradition). The Abrahamic God is bound and limited by goodness and by love for his creatures. However, the philosophy students who were on their way to developing the romantic vision, could not help but see Fichte’s divine subjectivity through the lens of their experience of the French Revolution, an intensely violent uprising completely justified by the stark contrast between the lives of the privileged in European society and the lives of the drudgery classes, gross institutionalized injustices, any change to which threatened the entire social order of their world. In that light, it was impossible to hold onto the idea of divinity limited by goodness. To the romantics, Fichte’s divine mind is absolute monadic creativity, an artist god, with no responsibility to any other and not bound or limited by anything. Fichte’s absolute ego, in its romantic interpretation, was not the slightest bit interested in morality or orderly civil society, and was nothing like perfectly rational as Leibniz’s God was. He issued no demands to humans for obedience, reverence, or worship, but also offered nothing to balance human suffering, no eternal reward, no redemption from guilt. Instead, he was a playful artist creating drama, emotional upheaval, and shocking beauty. In many ways, this was an historically novel concept, including a form of creativity that was broadly applicable to individual humans. With the absolute ego from Fichte, the emphasis is more on creativity than on command, control, reward, or punishment, and that removes some emphasis from command and control generally even in worldly social and political situations. It also recognizes creativity as the core of subjectivity. Fundamentally, it was gender neutral in conception, although in style and application it was full of male bias.

For Romantics, then, there is a single immaterial spirit with a personality and mental life quite similar to a human’s but with infinitely more power. The Romantic deity is an artist. This spirit has dreams, it indulges itself in daydreaming, and those dreams are the world that humans inhabit, ourselves being dream-things in those dreams. Whimsically, he picks certain people to be his prophets, and grants favours and inspiration to certain heroes and artists, like the gods of ancient Greece were supposed to do. Every landscape is an inner landscape for romantics, pervaded with dream code-work, disguises, and multi-layered associations, unrestricted by cultural norms or by the laws of physics. With the inner landscape, things display (obliquely) their emotional meaning in their appearance, as things do in dreams. What romantics saw in this new idealism was the artist God who toys with the world, and with the humans in the world, without any interest in justice or redemption, as proven by the spectacle of the Revolution and the light it shed on social organization and the force of history.

This conception of the divine mind meant that the Christian religion as traditionally constituted, with pledges of eternal reward and redemption, upon which the stability of the European social hierarchy and culture depended, was a lie. Earthly suffering has no meaning other than the whimsical amusement of an omnipotent daydreamer. Romantics saw the political enforcement of Christendom as a version of Plato’s “noble lie” (Republic), and they accepted the necessity of using that lie to preserve the organization of society, so that some small minority at least could devote themselves to beauty and ideal things, supporting and enjoying the arts, the work of artists, for their own immersion in transcendent beauty. The human artist became the example of the optimal, godlike, human being. However, the romantics also felt tragedy in the need to lie to repress the vain aspirations of the vast majority, in a world so made as to depend on such a lie. Privileged people don’t want social justice and can’t want it because for them the age-old forms of injustice are the price that must be paid so that some few (themselves) can live the higher life of refinement, beauty, and ideal things, a milieu enabling such contemplations as math and science, but above all artistic beauty, as close as possible to the life of the high God and as such the authentic heartbeat of their civilization.

On that worldview, we humans are dreamed just enough in God’s image to think sometimes that we have freedom and power to achieve justice, but that thought is an illusion, and so the human situation is fundamentally tragic. The immediate form of our tragedy is the squalid institutions of unalterable human inequality. We must either accept being deceived by the dirtiest of lies or else be parties to proclaiming that lie, and the problem with philosophy is that its history has brought it to the point of exposing the deception and undermining the civilization of the champions of beauty. For romantics, the only real power we have is to dream, to create our interior non-actualities. That is the romantic vision of transcendence available to humans, and they take it as our shield against glimpsing the ugliness of the broader human situation. The romantic idea of the deity is an emphatic confirmation that the social oppression they witnessed was so entrenched as to appear metaphysically decreed.

Romantic idealism, then, is yet another top-down vision of divine spirituality, a mutation of Platonism into a more modern idiom. The real implication of Kantian idealism was completely different, a sort of re-distribution of spiritual creativity and power down from on-high and into the multiplicity of agents engaging in ordinary experience. The romantic vision of tragedy arises by removing spiritual agency from every individual and ascribing it instead to a universal deity, imposing a completely inappropriate top-down orientation on Kant’s vision of interior spirituality. In doing that, philosophical romanticism seems to glorify subjectivity, but in fact trivializes it. The romantic call to leave philosophy and turn to art and culture is profoundly political and strictly conservative. Their nihilism was the angst of the unjustly privileged, an awareness of the stark and pointless contrast between their lives and the lives of the drudgery class.

The Tragic Sense of Life

We are still living with legacies of romantic idealism, for example in the commonplace declaration that “stories are all we have”. The conclusion and fulfillment of that philosophical Romanticism is a resolve to abandon thinking that goes beyond stories and instead to concentrate on moments of subjective ecstasy or rapture in the altered states inspired by poetry, tragic drama, music, and stories of magic, wonders, and heroes. “Since actuality is ugly, depressing, and utterly beyond our control, let’s achieve the transcendence of personal tranquility and joy by listening to awesome music, contemplating beautiful images, or absorbing our minds in narratives of heroism and nobility.” The romantic “elevation” of ideal things is completely idle, and the narrative sparkle and flash of tragic heroes, witches, wizards, demons, exotic locations, high drama, violent conflict, glory in battle, dangerous rescues, lost causes, fatal flaws, futile but beautiful gestures, narrative suspense and satisfying resolutions, are all merely hiding romantic nihilism. That turn of romanticism is very much like mysticism, which embraces the trances and altered states of consciousness resulting from sensory deprivation, drugs, or mortification of the flesh as if they were higher states of being.

Copyright © 2016 Sandy MacDonald.