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How Reality Matters

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Posted by Sandy MacDonald in Class War, Culture, Embodiment, Gender culture, Hierarchy, Nature, Political Power, Subjectivity

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essentialism, Hierarchy, nature, Nietzsche, perception, politics, reality, spirit, time

Fragment 197, word count: 596.

Tags: nature, hierarchy, politics, essentialism, spirit, perception, reality, time, Nietzsche.

The awesome weight and depth, the clear outlines and forces of resistance, the ‘thusness” or brute presence of Nature-at-large are considered by an essentialist sensibility as unassailably declarative of “what is”, or “what is real”. The essentialist sensibility attaches itself to apparent knowability, the overt public availability of material objectivity. Nothing real is hidden on this view. True reality can be lit up, measured and mapped, identified and specified, depended on as definite and enduring. Moreover, what is striking in the structure of Nature to the essentialist sensibility is a Great (food) Chain of Being extending into the exercise of power among humans, into social and economic organization. Competitive hierarchies are at the core of this essentialism and competitive hierarchies encourage stark “us against them” conceptual dichotomies: master/ slave, predator/ prey, strong/ weak, victor/ vanquished. Nietzsche, for example, in his darker aspect, embraced this essentialism with enthusiasm, asserting that some people are really aristocratic, giving them the right to dominate, control, and loot the work of others. His view included the aristocracy of men over women. Such realist essentialism defines the political right-wing for whom Nature, understood in this way, is incomparably more important, more authoritative, than ordinary individual spirituality, whatever such spirituality might be. Essentialists assume that the categories of things that make up the world (male/ female, aristocrat/ worker, master/ slave) are predetermined prior to any creative work of ideation, which is to say prior to any application of the particular interests of caring drama-projecting sensibilities. The reason conservatives get so agitated about transgender people is that gender fluidity contradicts the basic conservative essentialism which includes that male and female are different Categories of Being, different substances, different materials or essences.

Fragment 196, February 1, 2023, Spirit is Reality (word count: 283)

In our world in which spirit is reality, though, in which spirit exists as a busy multitude of localizing and personally dramatizing principles of world organization, the general authority of any essentialism is impossible. Meaning, relevance, and portent have to be conferred by acts of a spirit onto the structures and forces that are given in nature, and no kind of oligarchy or commanding height, neither human or cosmic, holds a monopoly on the power to do that. It is the dramatic conceptual work of individually embodied ordinary subjective spirits. Nothing experienced is or can be beyond the creative work of ideation. Perceiving is part of that creative work. Spirit is the questioning push directing any perceiving gaze to keep opening the world in its dramatic flight, never finished. For living spiritual agents, time is a personal future opening by the power of skills learned in the work of aging and by inherent creativity. These busy personalizing principles of world organization warp their vicinity of objects and events toward some kind of suppositional best case among multiple alternative and variously improbable futures, all non-actualities, separate from the brute actuality of nature. The existence of spirit manifests an unfinished world, always being created, a world new and indefinite in a passionate embrace of time.

Fragment 195, October 21, 2022, Spirituality of the Left (word count: 474)

If the truth of metaphysics can be spread about, the truth that there is no Great Chain of Being (that idea being an article of class propaganda) and that in fact the world, especially the social world, is mutable because every individual person is a source of creative power (transcendent opening of possibilities for the shape of things in an otherwise inertial and entropic world), then political essentialists lose their legitimizing ideals.

Copyright © 2023 Sandy MacDonald.

The World that Matters

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Posted by Sandy MacDonald in Culture, Subjectivity

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caring, collective identity, herd mind, human attachment, knowing, perception, sociability, war

Fragment 177, word count: 450.

Tags: sociability, human attachment, war, caring, perception, knowing, collective identity, herd mind.

Recognizing the presence of a separately embodied intelligence, another caring, sensitive, knowledge-building, and future-opening agent, is a different order of perception from recognizing sand or a piece of wood. There is a kind of perceiving going on in the recognition of another future-inventing agent that requires something other than an empirical explanation. Recognition of caring is crucial in this perceiving and another person’s caring is not an arrangement of sense-data, not a visual impression nor any other sensory impression. Sensory perception cannot assemble an objective image of whatever questing sensibility is expressing the arc of its personal drama in its acts, a drama formed of complex expectations, vectors of intention in action, and this moment of open possibility. Sensibilities as creative shapers of actuality require a conception such as ideality or intentionality that distinguishes them from strictly perceivable actuality. There is an absolute dependence on inherently personal, interior, sources of knowing in the recognition of another sensibility, since familiarity with sensibility as such is entirely self-acquaintance. This is more like a rationalist sort of knowing. * You know your own sensibility by self-creating and inhabiting your drama. We find in the presence of other caring agents a reflection and a variation of our own dramas of fear and delight, misery and ecstasy, and there is an irresistible sense of enlargement, of energy and exciting possibility, in this not being alone.

It isn’t long into a person’s life before the most important and interesting focus of awareness is an ambient collective of separately embodied intelligences: bodies expressing the spirituality, ideality, or intentionality that is caring sensitivity, searching curiosity, and ever-increasing knowledge in aid of the actualization of personally created intentions. Of course a person learns a sense of location within a structure of surfaces and objects, of food, shelter, and footings for power-projecting activities, but constellations of other people displaying caring intentionality always form the core and organizing pattern of the world that matters.

Hive Minds Make War

The reality that hive minds make war confronts us with the challenge of conceiving a way for people to express and enjoy the profound human talent for interpersonal attachment and social interconnectedness without constructing or participating in collective identities which prevent personal creativity from forming an identity grounded on spiritual autonomy and individual agency. We can be sure that the surrounding population of separately embodied idealities remains personally crucial even when an individual dismisses the misconceptions, prejudices, and superstitions which form the common currency of a human hive mind, herd mind, or collective identity. In the arc of human interconnectedness, the socio-cultural formation of herd identities, hive-mind identities, will become an artifact of the past.

 * Compare Avicenna’s “inner senses”, in particular: wahm. The sheep recognizes the wolf’s hostility. This is empathic recognition of an outside intelligence with conscious intent and emotional force in that intent. See p. 137 of:

Philosophy in the Islamic World: Volume 3 of: A History of Philosophy without any gaps, written by Peter Adamson, published by Oxford University Press (2016), ISBN 978-0-19-957749-1.

Embedded links:

Fragment 124, February 19, 2018, The World that Doesn’t Matter (word count: 750).

Fragment 112, August 2, 2017, Social Contract as Hive Mind (3) (word count: 390).

Copyright © 2021 Sandy MacDonald.

Freedom and Actuality

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Posted by Sandy MacDonald in Subjectivity

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agency, consciousness, drama, freedom, ideality, perception, personality

Fragment 174, word count: 176.

Tags: consciousness, agency, freedom, drama, ideality, perception, personality

The presence of a quality of stimulation from somatic sensitivity, say vision, or even a combination of many different sensory qualities, does not as such qualify as consciousness. Consciousness can lack any and all sensory stimuli. Rather, consciousness is a questing vigilance, a searching, or a recognition in forwarding the care-drama or sensibility of an embodied agent in a life in the world. Forwarding a personal care-drama is the act of a person as ideality, a point and arc of agency projecting itself as a particular caring into the absolute incompleteness, the non-existence, that is the future. This point and arc of dramatically caring agency, personality, cannot be constructed from sensory qualities but instead is what recognizes sensory sensitivity as presenting things of interest, certain things that matter personally. Conceptualizing freedom requires this life of ideality which is inseparable from the absolute incompleteness of existence in the passing of time. Freedom is real because of the co-existence and co-involvement of creative ideality and the absolute incompleteness of the world of actuality.

Copyright © 2021 Sandy MacDonald.

Existence Matters, Being Doesn’t

30 Monday Mar 2020

Posted by Sandy MacDonald in Embodiment, Freedom, Narrative, Nature, Subjectivity

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agency, drama, embodiment, humanity/ personality, identity, living, nature, perception, sensibility, time

Fragment 162, word count: 340.

Humanity/ personality is a gaze into nature from a time-bound drama in which some things matter more than others. Without the gaze of a personality, nature has no drama and nothing about it matters. The gaze is a questioning of what’s there to encounter, a living point in an arc of intended intervention, knowing, anticipating, aspiring, discovering, and learning. The seeking gaze is a bearing onward in an ever changing poise of orientation that defines a monad of agency conducting the personal drama of a person’s life. Not only is the gaze of consciousness a gaze into nature from a particularly embodied drama, but it is an act of the drama, a move forward in and by the drama, a creative act that is an essential piece of the drama. The gaze is the drama in the act of building and playing out, of extending itself by going on living in the world. An individual’s momentarily located orientation and bearing is inseparable from the emotional stakes of the larger dramatic idea of this embodied life. The direction and sensitivity of the gaze, the specifics of its questioning, are the application of a curated sensibility, a many layered orientation, a sum-up of all previous engagements, lessons learned, and vectors undertaken, the whole of a personal no-longer. All the context that makes sense of anything is in the questioning of the gaze, the sensibility expressed. The orientation and bearing of an individual’s questioning is reconfigured by everything learned, by every recognition and discovery. What personality has instead of an essence is a learning arc, a personal fountain of curiosity and intent expressed in a questioning engagement and in the creation of an ever changing path through a temporally unstable actuality. The scientific conceptual system leaches all drama from existence, and so leaches out reasons, meanings, creation, and ideas in general, and so presents a limited impression of reality. The only kind of conceptual framework that can comprehend the drama of what matters is an existential idealism.

Embedded links:

Fragment 11, November 10, 2011, Nature: Ground and Sky (word count: 2,752)

Fragment 124, February 19, 2018, The World that Doesn’t Matter (word count: 750)

Fragment 160, February 8, 2020, Existentialism is an Idealism (word count: 728)

Copyright © 2020 Sandy MacDonald.

 

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