Category Archives: Embodiment

What are Ideas?

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Fragment 183, Word count: 375.

Various answers to the question “What are ideas?” mostly have in common that ideas exemplify a distinct immaterial face of existence. Idealism encompasses answers to that question which emphasize the foundational or primordial status of such immaterial existence. Essentialist idealism presents ideas as primordial templates for the categories of all things that exist, absolutely independent of any living consciousness, excepting possibly a unique eternal divine consciousness. These ideas are prior to the rest of existence in some profound sense and supposedly cause the rest of existence. As exemplified by Platonic idealism, there is a certain sense of metaphysics presented by essentialist idealism: a primordial reality that is profoundly different, in its immutable immateriality, from the world of ordinary appearances, a reality of predetermined forever templates for the forms that any physical existence must take.

A non-essentialist idealism presents a very different sense of metaphysics: ideas are ephemeral features which shape the frame-work of orientation that guides the future-ward tilt or bearing of some living individual. Ideas exist only in the intentional agency of living individuals. Instead of standing as eternally enduring categories and structures, the special genius of ideality is its fluid subsistence by leaping ceaselessly into losses and novel opportunities expressing personal dramas of caring; plunging, partly falling, into an ever-just-opening non-existence, evaluating the uncertain prospects for improvisations of personal dramas within a mix of expected and unexpected circumstances and expressive impulses. There is no question here of ideas existing separately from the living of particular sentient and intentional agents. Even as such, ideas cannot be left out of a description of fundamental existence, of what there is, since they present an undeniable complication to neat conceptions of reality as fixed, atomized, and final. As necessarily temporal and immaterial (even though organized as embodied), ideas are anomalous existences, inseparable from the subjectivity of personal experiences. Ideality is still metaphysical but its meta-physicality is in its living spontaneity and creative agency, in its sentient-intentionality at the raw ever-becoming edge of existence. Human existence is living: experience-derived anticipation as context and inspiration for important intentions and aspirations. It is an actively reaching incompleteness or openness to existence at its core: discontinuous, multiple, monadic, locally limited, ephemeral.

Copyright © 2021 Sandy MacDonald.

The Thrill of It

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Fragment 182, word count: 335.

tags: romanticism, science, spirituality, embodiment, history, privilege, enchantment, Christendom, magic, 

With the explosion of mathematical science as an effective and prestigious ideology radiating from the Republic of Letters in seventeenth and eighteenth century Europe, there emerged among culture-pods with long-established privilege and dominance, both religion based and military/ property based, a sharp sense of loss and nostalgia for the thrilling fear and wonder of pre-modern Christendom: a culture gripped in the drama of intervention by gods, angels, demons, witches, and sorcerers, all cashing out as supernatural justifications for established privilege and dominance. Romanticism was one expression of that sense of loss and nostalgia, an heroic effort to re-enchant the modernizing world by conflating deity and nature. It was an effort to rescue the concept of nature from scientific mechanization, insisting that nature is a single living divinity with foresight, memory, discretionary will, aesthetic judgments, and powers far beyond those commonly perceived, power to overcome its own normal regularity.

Those efforts at re-enchantment, reviving the fear and thrill of Christendom, were futile and misdirected. Even in the absence of magic, deities, demons, or personified nature, the fact of any living subjectivity always enchants existence as a whole. The fact that spirituality is structured as a distinct body among other animate individuals with whom each fashions an apparently ordinary life does not erase its wonder and transcendence. Embodiment is the foundational structuring principle of spirituality. Sensation, so perception, is structured in the shape of the body. Deliberate personal interventions into a given exterior surroundings, making objective markings, are movements of a person’s body. The capabilities of body movements and their range of forces impose a shape on personal intentions to mark the objective world. Still, any subjectivity is a gaze from inside unique dreams at the spring of a personal self-injection into exterior surroundings. Enchantment radiates in that gaze itself, from the interiority at the source of every outward reach. Spirituality, the desperate living will, the knowing, questioning, learning, and creating will, is the enchantment, the mystery and wonder of existence.

Also:

Fragment 121, January 12, 2018, Welcome to Metaphysics (word count: 1,312).

Fragment 124, February 19, 2018, The World that Doesn’t Matter (word count: 750).

Fragment 145, April 4, 2019, Desperately Seeking Reality: Scenes From History (word count: 2,189).

Copyright © 2021 Sandy MacDonald.

Existence and New Reality

28 Saturday Aug 2021

Posted by in Embodiment, Freedom, Nature, Subjectivity

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Fragment 180, word count: 505.

Tags: actuality, creation, learning, supposing, intending, time, ideas, Plato, eternity.

There are only two explanations for there being something instead of nothing. There is existence as intentional act OR as non-intentional mere occurrence. In other words, the something that is our world is either a willful intervention by some pre-supposing ideality, the effective personal expression of some monad of caring, knowing, and supposing intentionality, OR an inexplicable random cascading instability, perhaps manifesting a fundamental and eternally given nature which makes all particular occurrences pre-determined, but which itself, having no prior matrix, is perfectly random. This second explanation is a variant of materialist determinism. Neither of these two conceptions should be ignored, because ordinary experience combines both, and they stand in a special relation to one another. The cascading instability of actuality has only an exclusively single-state instantaneous existence, but that existence is an instability, a particular wave shape just arrived from a completed arc of other individually exclusive shapes utterly vanished and gone, and yet still bursting at the incomplete bursting edge of existence toward another arc of merely possible shapes and more or less probable shapes. Within that bursting-forth, instantly vanishing, vast cascading unstable actuality, we fragile monads of sentience endure by continuously aggregating a personal orientation from since-vanished shapes that we noticed and learned because they matter to our dramas of survival and attachment. Vanished and possible arcs of the nature-wave have current existence only as ideality in the ever-refreshing orientation of particular sentient intentional monads living an embodied life within actuality. With our orientation and our effective embodiment and our dramatic vectors of care we create intentional interventions, novelties, spur-of-the-moment new reality. Monadic sensibility/ intentionality is always on the point of arriving from playing out dramas within a learned shape of circumstances, still continuing to burst forth into hopes, quests, possibilities, and probabilities, with intent to continue a specifically personal mark. Momentary and always re-shaping features of actuality are personalized in the curation of every particularly embodied sensibility/ intentionality. The dramatic poise of a monad is entirely distinct from deterministic actuality through its just-created directionality.

The only straightforward way of conceiving a sentient intentional monad oriented for an intervention with intent to create new reality requires the monad to be already oriented within some state of actuality. This disqualifies any impulse to project intentional intervention universally as the original matrix of all existence. It leaves us with the inexplicable random cascading instability as a pre-condition for intentional acts by any sentient intentional monad, such as ourselves.

In cultures under the influence of Plato, ideality (spirituality) is identified with immortality and eternally stable and unchanging existence, but that is exactly not the experiential presence of ideality, which is always bearing into and enlarging into the incompleteness of ephemeral suppositions, pushing into ideas as the world falls. Aliveness, the living of life, living personhood, is inextricable from the ceaseless opening and passing of event-full time, and every living person is a co-creator of that opening of new reality.

Embedded link:

Fragment 177, May 31, 2021, The World that Matters (word count: 450)

Copyright © 2021 Sandy MacDonald.

Knowing is Caring

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Fragment 179, word count: 621.

Tags: caring, knowledge, learning, sensibility, phenomenology, sensation, time, representation, evidence, Edmund Husserl.

Caring is more important than sensation in the perception of anything, and caring is personal. Knowledge is always dependent on and derived from someone’s caring. It is always an elaboration, specification, and development of caring. Knowing is a personal effect and consequence of caring. That means that perception, as a means of coming to know, is also an application of caring, a personal act of anchoring care in certain particular actualities presenting as phenomena. Caring and what it is that cares are not adequately presented by a description of the most immediate actualities to which this caring is anchored. You can’t get anywhere near understanding the richness of a moment of personal caring (the living moment of a sensibility/ intentionality*) by mapping the most evident actualities it is conscious of. Phenomena don’t count as anything without being identified within the context of a perceiving sensibility. Larger dramatic vectors of personal caring are necessarily involved. Not only is the gaze of consciousness a gaze into nature from a particularly embodied drama, it is also a creative act in the drama, a move forward motivated by personal drama, and meaningful because of the essentially dramatic integration of knowledge and personally intended interventions. A perceiving and learning gaze is a personal drama in the act of building and playing out, of extending itself by going on living in the world.

Since Edmund Husserl (1858-1938), a definitive move of philosophical Phenomenology is to remove any suggestion of deriving from perception any knowledge of a Kantian “thing in itself” as absolute reality, so, bracketing off the question: does this experienced appearance represent something that is completely independent of being perceived?. What is bracketed off is the question of the representation of phenomena, the question of whether or not they represent, depict, or disclose some existent object which is independent in its reality of being perceived or not being perceived, being cared about or not. In this context, phenomena are technical objects of consciousness definable with maps of sensations, positioned quanta of sensory stimuli with specific qualities. They are impersonal arrangements of appearances (sense data) that may suggest an internal integrity. “To the things!” declare Husserl’s phenomenologists.

However, instead of putting attention on what might or might not be on the ‘far side’ of phenomena as given in sensations, it is decisively more important to deal with what is on the ‘near side’ of phenomena, the source of caring that is reaching future-ward through its sensory display. No matter what uncertainty there might be about sensory appearances as true depictions of impersonal actualities that lie beyond, there can be no doubt that the shape of caring in phenomena truly represents a personal sensibility and intentionality*.

Fragment 123, February 8, 2018, Brentano’s Gift (word count: 999)

Fragment 165, July 5, 2020, The Genius of Ephemerality (word count: 595)

In spite of the fact that the technical definition of phenomena excludes the personal, there is a sense in which actual phenomena must always represent a person, by a kind of backward representation. A personal ideality is always the matrix of phenomena. Whatever definitions might be imposed on phenomena, they are primordially experiences, and experiences are always acts of an experiencing sensibility, a person living a particularly embodied life. The most important representation by phenomena is a person, what it is that cares and brings caring to this existence. Caring is personal, a complex personal vector of drama within a willful sensibility. It isn’t possible to reveal what it is that cares and constructs a life of dramatic movements of caring by using descriptions of phenomena that bracket off the desperate ephemerality of what is personal. Although what-it-is-that-cares is never a phenomenon, the existence of phenomena is necessarily the existence of a unique dramatic ideality that is expressing its caring in its engagement with these phenomena.

  • ‘Intentionality’ in the sense of a pre-conceiving of future interventions in actuality for specific purposes, a poise within the anticipatory ideation of agency.

Copyright © 2021 Sandy MacDonald.

The Edge of Existence

28 Monday Jun 2021

Posted by in Blind spots in thinking, Culture, Embodiment, Freedom, Hierarchy, Nature, Political Power, Subjectivity, Transcendence

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Fragment 178, word count: 1,044.

tags: existence, metaphysics, time, creativity, freedom, caring, drama, agency, empathy, science, religion, politics, patriarchy, civilization, malaise.

The difference made by recognizing a bit of metaphysics, specifically a certain conception of ideality, is a much needed and long overdue disruption of two canonical but failing universal explanations: religious personification of nature and the materialist fatalism of science. Thinking of ideality as embodied (discontinuous and discretely located) points and arcs of creative intentionality* opens a way to recognize human-scale freedom and creativity as real without wildly speculative and implausible personifications. Human reality is a beach where a personal interiority of ever-reshaping dramas made of caring and ideas (expectations and hopes, questions, aspirations, and intentions) gush out in deliberate activity and wash actuality. Features of brute actuality can be shaped into culture by these actions. Culture in this sense is any product of intentional craft, any effective application of purposive ideality to the merely natural material of actuality: the carved wood, the ploughed field. Freedom is real in this tumbling co-existence of gushing creative ideality and the absolute incompleteness of existence (both ideality and actuality) as witnessed in the endless passage of time. Any serious conception of freedom requires enduring points of ideality actively living, forming actuality, at the incomplete edge of existence, continuously actualizing a stream of spontaneously invented intentions within a personally learned and learning context of expectations. Knowledge is always an elaboration, specification, and development of personally created dramas of caring.

Since the European codification of mathematical science in the seventeenth and eighteenth centuries, after nearly a millennium of theocratic Christendom, the most innovating civilizations have been stuck with a dysfunctional codependence of scientific materialism and immaterial angels and demons. Both religion and science have ongoing appeal, science from rapidly developing commercial applications, especially communication and data processing technology (innovations in entertainment with advertising), vaccines of course; and religion from a most primitive reflex to personify the world, which is to suppose that purposive intentionality creates everything. But the binocular culture which perceives with the materialist lens in one eye and the world-personifying lens in the other is spectacularly unsuccessful delivering peace and justice in its political and governance arrangements, and no wonder. Science and religion have in common a fundamental legitimation of patriarchal hierarchy as core social organization. To be clear, this is top-down human-on-human macro parasitism, various forms of the master/ slave relationship. Religious personification asserts that such organization is the eternal divine plan (divinity is the primordial master), and scientific fatalism that such a food chain is made inevitable by immutable forces of nature. These are both conceptions of existence as profoundly complete, without any possibility for the creation of real novelty. In that context governance is a matter of imposing on everyone an orientation up the hierarchy for a sense of direction derived from an overarching culturally stipulated drama.

Culture in this sense is the complex system of imitative, repetitive, and normative human activity that expresses and sustains a collective’s sense of unity and identity. This is the sense in which culture, in the context of patriarchal parasitism, imposes a hive-mind on its participants. This has produced and maintained dystopian political regimes poisoned by the history of war culture abetted by religions that demand irrational credulity and fervent expressions of reverence and supplication upward, situating deity at the apex of human hierarchy. Outsourcing the determination of reality to a God, impersonal Platonic Ideas, or even just nature denigrates human ideality by alienating the creative work of conceptualization actually required and accomplished by individuals orienting ourselves in the world. It represents human interiority as a passive recipient of a pre-completed world, including the social and political world, and has the effect of cementing individuals into a mass mythology of inadequacy and dependence. Science further denigrates personal interiority by reducing it to biologically pre-determined lusts and reactions to external stimuli, and religion denigrates it as an engine of error and misery, completely hopeless without the controlling intervention of some more perfect and powerful personification.

Individual ideality, however, is profoundly more active and creative than religion or science can recognize. The primordial act of self-creation by every ideality is the supposition of time. Ideality is the non-actuality which supposes. Every ordinary living consciousness is a self-creating time-wave, living in and through a constant flight through time. A time-wave is a dramatically-propelled progressive change of suppositions. One vector of this flight consists of things slipping by and falling away, and the other vector is a dramatic personal leap into a supposed future. Time is a personal dimension of ‘metaphysical’ non-actuality in which, oriented with knowledge, expectations, and questions abstracted from a supposed ephemeral past, an intelligence creates specific intentions to project itself with a degree of creative freedom into an ever-newly-opening not-yet or future. This being-in-time distinguishes ideality from the natural world within which we build lives. Time is the opening of freedom-from-nature at the edge of existence and as such the transcendence that spiritual interiority brings to the beach of reality. With an appropriate sense of this interiority the personal importance of competitions and appearances falls away. The reason for a culturally obligatory reliance on socially constructed outward representations of personal identity with trophies (possessions, status, career path, social network, costumes, titles, personal hero story) is that there is no comfort with any conception of personal interiority in the culturally dominant conceptual system.

The political difference made by recognizing persons universally as metaphysical engines of spontaneous creativity, exploiting a precarious position at the edge of existence by improvising a desperately caring drama of sensitivity and personal expression, is a flattening of the political landscape. There is no justification here for master/ slave social organization. There is no general disrespect or denigration of humanity/ personality inherent in this conception. The political imperative changes from imposing control via belligerent us-against-them hive minds to cultivating and encouraging autonomous creativity and person-to-person interconnections shaped by empathy.

The often lamented malaise of civilization is the result of extreme cultural denigration of humanity/ personality combined with a romantic overestimation of the explanatory power of mathematical science. These have killed off innovative thinking involving metaphysics, but only a certain metaphysical reconceptualization can amend the currently toxic cultural legacy.

Note

* ‘Intentionality’ in the sense of pre-conceiving future interventions in actuality for specific purposes, a poise within the anticipatory ideation of agency.

Copyright © 2021 Sandy MacDonald.

Nietzsche’s Drama

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Fragment 176, word count: 895.

Tags: embodiment, spirituality, nihilism, Christendom, Copernicus, Darwin, creativity, culture, individuality.

Christianity taught, and European Christendom accepted for centuries, that the human spiritual drama, our unique opportunity for ethical elevation by coming to know and align with the transcendent deity, is the purpose of all existence. Humans were thought to be the primary achievement of the all-creating God. Born as an exile into an initial state of disgrace within the lusts, pains, and thrills of a mortal body, each human is capable of recognizing its existence as more authentically one of transcendent spirituality and changing its way of life to express that spirituality. The worldly society of Christendom, controlled at all levels by the hierarchy and laws of the Roman Church in partnership with the secular military aristocracy, was accepted as the means by which individuals were guided to the spiritual life, a state of grace whose reward was blissful immortality. In the sixteenth century, within a broad advance of science, Nicolaus Copernicus discovered and revealed that the human home planet was not the centre of God’s cosmos, suggesting a more marginal status for human being. In the nineteenth century, Charles Darwin presented findings suggesting that humans are indistinguishable from animals, just naked apes, driven by instinctive drives and passions beyond individual control, with no qualitative specialness placing us in a uniquely elevated category. For much of the educated stratum of nineteenth century Europe, this apparent loss of human standing in the great scheme of things was a revelation of nihilism, a catastrophic loss of purpose and value. This was the context in which Nietzsche conceived his mission of thinking.

With God removed from the human situation, the Christian drama of existence faded out and with it the sense of meaning and purpose derived from that drama. Reflecting on human history soon reveals that no eventual outcome of biological evolution can give value and meaning to human existence, since it is unknowable, nor can the historical progress of human civilization do it since that reveals no verifiable arc toward a fulfillment. In the absence of these large structures as navigational guides the problem of meaning and purpose becomes entirely the individual’s problem and actually defines, on Nietzsche’s view, the monadic singularity of the human individual, the loneliest loneliness. As it happens, however, the fundamental nature or quality of individual spirit, the will to power, contains within itself a dramatic dynamic capable of achieving happiness, and so defeating nihilism.

For Nietzsche, the universal ethical and existential imperative for every individual is self-perfection, though that achievement is possible only for strong domineering spirits. Only the strongest spirits are capable of the happiness of self-perfection because only the strongest are capable of self-domination or self-overcoming by sublimating the instinctive animal impulses (Dionysian) into products of a dominant personal rationality (Apollonian), imposing a unifying form and style on all expressions of that sublimated energy. This Dionysian – Apollonian dialectic is the intrinsic dynamic of the will to power, the fundamental living force. Culture that is elevating to behold and appropriate is created from the sublimation of bestial impulses and instincts. Even though those impulses and instincts originate in and always declare the body, without them there is no energy to be sublimated into high art and culture. Strong and passionate impulses require an even stronger force of rationality to impose form and style on them. Artists and philosophers, such as Leonardo da Vinci and Socrates, are typically the people who discipline themselves to sublimate their great passions into creative activities. Nietzsche calls such spirits ubermensch, higher men, the only people of value in his estimation because in the ecstasy of their original creation they uniquely manifest authentic individuality. Specimens of higher men are rare and occur unpredictably in various times, societies, races, and ethnic groups, and it seems that for Nietzsche they are “The Elect”, forever predetermined for blessedness. The rest of us are a herd of doomed beasts of no interest or value, sometimes spiritualized to some extent by encountering the achievements of the higher ones.

There are striking similarities between Nietzsche’s conception of the drama and tragedy of existence and the previously dominant one from Christendom. Nietzsche was the son of a Lutheran clergyman and the apple didn’t fall very far from the tree. Separation of people into The Elect and the damned is one similarity. Both dramas involve a tension or dialectic between animal embodiment and some version of a transcendent spirituality which exerts itself against animality and offers a happier and more authentically meaningful life. In Nietzsche’s version, however, the impulses of the body are never left behind but always remain the source of life’s energy. In addition, Nietzsche’s spiritualizing, sublimating, force is militant rationality, giver of expressive form, stability, and style, replacing the poor Christian spirit of meek obedient submission, self-denial, mortification of the flesh, and altruism.

Such was Nietzsche’s revaluation of all values. It is philosophically unusual in recasting the Christian drama by eliminate a commanding and controlling deity while still finding a way to divide blessed from damned. That vision clearly doesn’t defeat nihilism for everyone, only for the precious few his message was apparently designed to reach. However, if we discount Nietzsche’s peculiar aristocratic exclusivity, we can appreciate his “Yes” to embodiment as inseparable from the ecstasy of personal creativity, his close attention to the interior experience of creativity and its independence from any conformist herd mind.

Sources and Inspirations

Walter Kaufmann’s book was the source for the sketch of Nietzsche’s philosophy included in this posting.

Nietzsche: Philosopher, Psychologist, Antichrist, written by Walter Kaufmann, published by Princeton University Press (1950), foreword by Alexander Nehamas (2013), ISBN 978-0-691-16026-9.

Zarathustra’s Secret, written by Joachim Kohler, translated from German by Ronald Taylor, Published by Yale University Press (English edition June 2002), ISBN-10: 0300092784, ISBN-13: 978-0300092783.

Copyright © 2021 Sandy MacDonald.

Consciousness is a Time-Wave

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Fragment 170, word count: 377.

Consciousness can’t be adequately described by even a complete catalogue of its objects. Objects have only a passing and tentative almost-presence unless they are made to matter by a rich personal context of ideality. Consciousness is formed of anticipatory intentions of agency and the reasons for agency within a personal life-drama. There is an emotionally committed questioning, a desperately caring gaze from an ever-learning knowledge-poise of orientation with its bearing onward, defining a point and arc of creative agency improvising the personal drama which is an individual embodied life.

We individually create a supposition of not-yet and been-and-gone defining a newness and incompleteness as the primordial context in which we exist as dramatic free agents, leaping future-ward in our drama, aware that everything in our envelopment of entropic actuality is falling away continuously. The supposed content of not-yet and been-and-gone is changing constantly. Knowledge and expectation are forms of supposition that constitute a drifting context-content slipping into proximity and then into an increasingly remote separation, a sense of things slipping by and falling away in the ephemerality of objects. Such is the context of personal agency as it leaps into anticipated openings of not-yet. That everything actual is slipping away is essential to the drama of individual human existence, to the willful creative leap open-ward which answers it as a moment-by-moment affirmation of a power of living to open reality and make it unexpectedly more than it was. Ideality moves to make actual a specific not-yet, to realize a new non-actuality, and that is the creativity for which freedom is possible.

The medium (non-actual past and future) in which time-waves exist is not independent of the knowing, curious, questioning, dramatically desperate agents who propagate ourselves in ceaseless ephemerality. Consciousness thinks itself as a time-wave, a formation of ephemerality through which freedom is possible in the genius of ideality as not-a-thing but a self-propelling continuity of creative expression across time. It is a fountain of future possibilities from which is enacted, having learned and conceived aspirations in been-and-gone, an original arc of developmental continuity that is the personal drama of life-creation.

Embedded links:

Fragment 124, February 19, 2018, The World that Doesn’t Matter (word count: 750)

Fragment 118, November 8, 2017, A Point of Dispute with Post-Modernist Theory (word count: 1,656)

Copyright © 2020 Sandy MacDonald.

Wildcard Time-World Idealism

25 Sunday Oct 2020

Posted by in Class War, Embodiment, Freedom, Political Power, Subjectivity, Transcendence

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Fragment 169, word count: 1,230.

At the heart of Romanticism is the cultural perspective of aristocracy, essentially a pessimistic fatalism, definitive of the political right-wing, in which the brutality of master/ slave social organization is taken to be inevitable, decreed for eternity by nature or God. In that dystopia, only reveries of magic, beauty, and masculine heroism provide the precious little light in the tragically inescapable gloom. However, nothing in human affairs is really inevitable because human affairs are constructs of multiple idealities, and idealities, persons, are fountains of spontaneous novelty, of original interventions into the situation of a moment, fountains of freedom. Conceptions of this freedom are forms of idealism.

A way of distinguishing one kind of idealism from another is by the extent each understands ideality as creatively projecting novelty into otherwise predetermined actuality conceived as in standard materialism: utterly devoid of purpose. For example, there is no novelty of a willfully creative and spontaneous kind in Plato’s idealism, although some accidental novelty might occur randomly in the illusions experienced as ordinary appearances. Plato’s idealism, and generally the muted idealism at the core of rationalism, builds on a reverence for mathematics by speculating that the perfection of mathematics reveals an immaterial, timeless, and primordial reality from which is projected (imperfectly) the eventful world we experience. In the context of understanding human affairs, mathematics is a short road to dystopia.

Time-World Idealism in the Dystopian Context

Recognition of time as the primordial context of individual human existence is the portal to an idealism that is relevant in the dystopian political and cultural context as a countervailing force against the declarations of natural or divine determinism (the perspective of aristocracy) which are crucial features of dystopian world-system concepts.

The problem with logical argument as a technique of inquiry into things as experienced was pointed out by Bertrand Russell: Logical argumentation is not how original insights are discovered. Using other means, people come upon claims they judge to be important and worth defending and then search for premises and arguments that produce them as logical conclusions. Philosophical insights are first generated by something like phenomenology, an innocent curiosity about lived experience and agency. So, the primary technique of thinking philosophically, the technique that brings us to the crucial idealism, is engaging with experience from innocent curiosity, a curiosity that has been de-cultured and so released from normal bias and prejudice.

Phenomenology is always an effort to bring ideality into some degree of conceptual focus. It is never a scientifically measuring object-ology. It is explicitly a description of experience as ideality, objects as taken in and made sense of by a questioning, knowing, interested, and caring subject. So, all phenomenology is phenomenology of spirituality, plausibly the only way to quest for knowledge of spirituality. Since Edmund Husserl (1858-1938), the definitive move of phenomenology is bracketing off the question: does this appearance accurately represent something that is completely independent of being perceived?, so to remove any suggestion of defining knowledge of a “thing in itself” as objective reality. And yet, even in Husserl and his massive legacy there remains an emphasis on objects and objectification.

The problem with phenomenology has been that sensory impressions are taken as the elemental evidence, taken in a way that is already objectified. They are conceived as patches of colour, an auditory pitch, a feeling of roughness or pressure, a scent or taste of coffee, all removed from the context of a personal dramatic purpose-in-time which brings someone to notice them. There is the usual assumption that time is not primordial, but instead a superstructure to be put aside in describing the basic phenomena from which everything else, including time, will be assembled later. However, the thinking subject, a questioning future-ward-leaping will-to-learn and will-to-express-itself, cannot be assembled from the passive excitations of sensory impressions, or from the objects they make available for discovery and identification. Sensory impressions or the objects they locate cannot be made into care, cannot be made to construct an interest in themselves. Caring is prior, and primordially a leaping future-ward, using knowledge of the time-world as personal possibility.

None of the phenomena of receptive sensations can combine to construct the desperate future-ward leap of curiosity, the drama of a questioning will to gaze, to search, to leave a personal mark and make a personally gratifying life. Sensory perception cannot assemble whatever questioning sensibility is expressing the vector of such drama in an act of perceiving, a drama formed of complex expectations, vectors of intention in action, and this moment of searching curiosity. You know your own sensibility by self-creating and inhabiting your life-drama. The sensibility performing a perceiving cannot be an object of sensory perception, and requires a conception of its presence different from perceived actuality: primordially purposeful ideality.

Phenomenology of Personal Drama: An Idealism

Humanity/ personality, as ideality, is the creation of freedom by supposing the possibility or impossibility of multiple personal futures, and so freedom through creativity is fundamental and universal to individual personalities. We individually create a supposition of decreasingly remote approaching not-yet and increasingly remote receding no-longer as an imprint on the newness and open incompleteness in which we act, a primordial context of time in which we intervene in brute actuality as purposive, dramatic, agents. Personality supposes (posits as ideality) a context that enables its agency in a personal drama, a time-world of personally specific approaching futures, both possible and impossible non-actualities, a mutable opening in the fabric of reality. Ideality is what leaps ahead, a leaping that makes the world matter. That ideality is empathic is crucial to its personal drama, and along with empathy comes the drama of good and evil. Good is acting with the purpose of expressing empathy, evil is acting in contradiction, denial, or refusal of empathy.

Wildcards

Ideality leaps into an opening of its own supposing, as a vector of time which plunges future-ward with a specific spur-of-the-moment creative will to inject spontaneous (not random) novelty into actuality at the location of personal embodiment. Such a will-to-create a personally suitable future is obviously not nature, which always just falls predictably according to laws of inertia and entropy, a vector of time in which everything is slipping away. The vector of time which leaps toward a future of its personal devising transcends nature by its personal injection of unpredictable creativity. Creation of the world is unfinished, undecided, continuing through the agency of a multitude of embodied wildcard idealities. We are more time-waves than particles of any kind, individually self-shaping waves through time.

The reason for a culturally obligatory reliance on socially constructed outward representations of personal identity with trophies (possessions, status, career path, social network, costumes, titles) is that there is no comfort with any conception of personal interiority in culturally dominant conceptual systems founded on ideas of God and nature. As an alternative to the historically aristocratic and patriarchal glorification of trophy property as manifest demonstrations and proofs of personal power and worth, we place inward consciousness and agency: the ability and opportunity to feel and follow a delighted questioning curiosity, as from a profound innocence, exercising creative freedom to engage in the ethical enterprise of aligning personal freedom with the transcendent freedom of everyone around.

Embedded links:

Fragment 19, February 10, 2012, Mathematical Rationalism in the Baroque Era (word count: 1,101)

Fragment 153, September 28, 2019, De-Culturing (word count: 458)

Copyright © 2020 Sandy MacDonald.

Time-World

24 Thursday Sep 2020

Posted by in Embodiment, Freedom, Subjectivity

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Fragment 168, Word Count: 480.

Ideality is a desperate engagement with the passing of time, a moving shape of caring that feels, anticipates, and fills the passing of time. It is a person actively living a particular embodied life in the time-world. Decreasingly remote approaching not-yet and increasingly remote receding no-longer is the primordial context for every person’s dramatic agency, for personality, humanity, spirituality, intelligence, sentience. Ideas are acts of opening and connecting in the dramatic edifice of orientation which is a sensibility, a preparedness for carrying on, having learned, searching and going further, opening future-ward in expression of a personal peculiarity of creativity, newly launching an expression for this moment. Ideality is the spontaneous vector in the passing of time, the creatively aspirational vector, expressing freedom. Freedom is the moment to moment originality of the creativity of ideality. Every person’s living is a developing drama conferring a shape of relevance and importance on its envelopment of inertial/ entropic nature. In that way any and every person enchants the entirety of existence, makes it dramatic, makes it matter, some parts more than others, crucially different for every individual.

A monadic centre of agency, spinning out a personal drama which is a continuously located movement in the time-world, is defined by a seeking gaze, a questioning, curiosity from an ever-learning poise of orientation and bearing-further, readiness for surprising discovery and empathic encounters acknowledging other dramatic agents. Language* competence is a complex edifice of readiness, of knowing and empathy. Knowing the taste of Chardonnay isn’t an image, but a vigilant readiness to recognize sensations. Sensibility is everything a person is looking for, centrally and peripherally, both what is expected and what would count as surprisingly good or surprisingly bad, an active poise of sensitivities from ever-greater accumulations of increasingly remote acquaintances. The crucial intervention of a personal sensibility is to bring to any here and now all the learned context, in the form of vigilant readiness and an intentional direction of effort, that gives the moment meaning and sense. Sensibility is an individual’s expectations and personal intentions engaging every moment of sensitivity as a lens through which sensations transform into features of a coherent world that is stage setting for the personal drama but especially for what’s next in the drama. The centre of agency is reading sensations through the interpreting lens of a knowing, caring, and actively aspiring sensibility, already shaping what’s next.

In ceaselessly passing time and without an otherwise fixed essence, personality, as a point and arc of agency, has an inherent imperative to create (and power to do so, moment by moment) an ever revising personal presence and passage through an unstable and temporally discontinuous actuality. To anticipate and act with intent is to dwell in the personal tilt or bearing-further beyond now and no-longer, into the unformed not-yet which is freedom.

* Fragment 140, January 25, 2019, The Most Important Event in History (word count: 1,077. See subsection: Empiricism’s Evasion of Metaphysics.

Copyright © 2020 Sandy MacDonald.

Time is a Dual Instability

28 Tuesday Jul 2020

Posted by in Embodiment, Freedom, Nature, Subjectivity, Transcendence

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Fragment 166, word count: 416.

‘Teleology’ means ‘purpose’, ‘reason’ or ‘an anticipatory ideation of agency’. The existence of teleology is a certainty, perhaps the only one, although we also act routinely on the practical certainty of known features of actuality that have been reliably stable. I know what a coffee machine is, where mine is, and how to use it to make coffee. That knowledge is part of my orientation, my sensibility. Let’s accept from science that measurable nature is perfectly non-teleological in its brute material actuality. The completely different existence of teleology is a certainty because it is the very genius of our knowing and caring agency, our living existence within brute actuality. “I anticipate, expect, wonder, and intend, therefore I am.” Since teleology conceives a place and grasp in the non-actual future, it is by definition an idea, a constant re-directing of the willing of an ongoing agency. Every teleology is, of course, an individual person. With teleology at the core of our dramatic lives of knowing and caring (we know because we care, we reach knowing through caring *), we cannot coherently claim uncertainty about its existence or its power to intervene effectively in the arrangement of things in brute actuality. So, we discern reality in its duality, two contrasting but entangled moving streams of instability, one which, in itself, doesn’t matter in the least as it falls insensitively by inertia and entropy. The other is teleology which creates importance and relevance in the personal drama of its individually embodied living. Teleology is the only reason anything matters, and that, along with its ideality, is its claim to transcendence. The notion transcendence tends to lift our gaze to the sky, away from the simple light of individual consciousness. However, it still makes sense to call teleology transcendent when it only belongs to embodied personalities of the familiar kind and not something skyward or cosmic. If teleology (the only certainty) isn’t transcendent then nothing is. The foundational status of ideas and ideality in the world that matters, the world as experienced, lands us in metaphysics, and the whole of metaphysics rests on the single question: What should we make of teleology? What should we make of the anticipatory ideation of agency which is our consciousness of time as our primordial context? The answer lies in conceiving an idealism that identifies teleology as a multitude of individual and locally embodied sensibilities in an irreducible duality with measurable actuality which is perfectly non-teleological: time is a dual instability.

* Artificial intelligence (AI) can’t care, so can’t know.

Copyright © 2020 Sandy MacDonald.