Tag Archives: empathy

Metaphysics Dawns on the Edge of Creation

14 Sunday Dec 2025

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Fragment 218, word count: 213.

Tags: metaphysics, caring, ideality, existence, creation, freedom, personality, empathy, expression, value, philosophy, spirituality, time.

The foundational distinction for metaphysics is between the world that doesn’t matter, (which is the vast material world of strict actuality, essentially complete but energetically rearranging in a sort of ceaseless falling) over against the existence of caring, shaped as the never-finished personal dramas of any embodied ideality sensing total and desperate vulnerability to a somewhat malleable and entirely suppositional future. The metaphysical presence is caring with its context of a future sensed as open for certain improvisations, for creative expression. Entities of caring-ideality matter because they care and have cares and their caring makes things matter. Nothing else does that. Only caring is suppositional, orienting in terms of non-actualities of its own creation. The experience of embodiment grounds the emphatically monadic existence of beings of ideality as individuals. To identify and become acquainted with the metaphysical dimension of existence is to construct a sharp focus on the starkly anomalous existence of individual ideality, some indefinite number of distinct “I”s, vectoring future-ward in our effortful self-improvising, drama-clouds intervening at the coming-into-being edge of existence. Individual subjective existence is the experience of spiritual intervention, intentional freedom via creative ideation of personal and non-personal futurity-as-opening in the strictly subjective context of the particular importance of this expressive agency, without forgetting empathy and aesthetic appeal.

Copyright © 2025 Sandy MacDonald.

Democracy, Violence, Culture War

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Fragment 204, word count: 157.

tags: humanism, dignity, property, equality, empathy, value, culture, politics

There is a necessary connection between democracy and the de-valuing of violence. More democracy, less violence. Violence offends the dignity of persons, and empathic recognition and demonstration of universal dignity is the direction of democracy. Universality of dignity, which means general equality, is the authenticating test of democracy. Less equality of dignity, less authentic democracy. This means that the privileged value of property, as compared to the value of dignified personhood, is progressively reduced in democracy. A deep culture war rages here: partisans of property against partisans of inherent personal dignity. Property as elite value always requires protection by imminent violence, and is often the justification or inspiration for an elaborate culture of violence. Property possession is sometimes asserted as the marker and exclusive revelation of dignity. That view is anti-democratic and anti-humanist since a humanist recognition of universal dignity requires the decoupling of dignity from any property that involves a threat of violence.

Copyright © 2024 Sandy MacDonald.

Measures of a Self

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Fragment 188, word count: 329.

tags: dystopia, wealth, capitalism, consumption, empathy, malaise, decadence, exceptionalism, 

It is delusional to think that people who use yachts and private jets have any ability to reduce their environmental impact. They have constructed that impact as an overt essence for themselves. People who devote themselves to that system of self-definition and personal evaluation can never abandon their holdings and privileged consumption, or membership in the club of exceptional beings that the trophies declare.

Dystopia is not an accident that befell humanity, nor is it the inevitable working of nature. Dystopia is the product of human factions taking macro-parasitic benefits, largely obscured behind veils of deception and patronage, and it has to be maintained by the work of legions of busy people every day, some of whom have decided to devote themselves to climbing some branch of the pyramid of social esteem, who choose to raise their public profile through celebrated competitive achievements to the full extent of their talent and energy for symbols and comforts that declare membership in a club of exceptional beings. This incentive and reward system of money-enabled lifestyles with high consumption, travel, and celebrity status calibrated by titles, honours, control, and trophy properties of various kinds, trophy memories, is inherently the catastrophic looting of the planet’s resources driving global heating and climate disruption. This is the built-in concluding detonation at the core of capitalist civilization.

Empathy and the Malaise of Exceptional Beings

The alternative is to come empathically into the company of all who find themselves embodied into the temporal drama of ceaseless loss and novelty. Living this is dramatic agency and drama is a personal time-vector, a tilting into anticipated openings through a partly predicted flow of conversation among multiple agents of emerging personal dramas, playing around the resistant inanimate world-structure. Empathy is the ultimate spiritual power and value. Every exceptional beings club shuts off the possibility, the legitimacy, of empathy for large numbers of our fellow beings. That is the spiritual decadence, the malaise of exceptionalism.

Copyright © 2022 Sandy MacDonald.

Nietzsche Autonomous

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Fragment 186, word count: 340.

tags: empathy, embodiment, culture, individuality, voice, Nietzsche, Plato, Kant.

Nietzsche’s thinking did not have a lot in common with Plato’s. In fact, Nietzsche had the thought that overcoming Plato’s way of conceiving reality was the most important thing that western civilization could accomplish to improve itself. The thing Nietzsche didn’t like about Platonism was its heavenly focus, obsession with a remote world that could be thought but not lived with the richness of embodiment, a world of eternal perfection which put worldly normality in a dismissing and frightening light. However, there is a point of contact between Nietzsche and Plato.

Nietzsche judged that individuals are normally conditioned uncritically into a cultish herd mind, a collective set of values and judgments. He presented personal creativity as the elevating human power, a power that can be the portal out of human herd banality and into a particularizing individuality of spirit. On Nietzsche’s view, the distinctness and individuality of the felt human body, awash with personally specific sickness, pain, and fatigue, kinetic power and sexual arousal, are made spiritual by being taken up by creative impulses which construct expressions in a unique voice. Nietzsche’s conception of this process of self-created individuality, separating from cult minds which are always ambient for social beings, is reminiscent of Plato’s metaphor of the cave. In Plato’s cave narrative we are shown a map of where philosophical curiosity, cultivated as a personal mission, leads in relation to immersion in the collective orientation of some cultural community at a given moment. From an initial placement within culturally stipulated forms of experience and dramas, the person devoted to philosophical thinking begins a process of questioning the assumptions, categories, and values of this moment of culture, and in doing so is relocated to individuality. Between Plato and Nietzsche, historically, Kant had already taken a crucial step further. In his balletically formalized way, he observed that people consistently exercising inherent rationality don’t need any external sovereign to proclaim laws because inherent rationality coupled with universal empathy, applied to all sentient beings, enables them to be self legislating in all situations.

Embedded links:

Fragment 104, April 6, 2017, In Plato’s Cave (word count: 926)

Fragment 157, December 11, 2019, Philosophy in the Dystopian Context (word count: 552)

Copyright © 2022 Sandy MacDonald.

The Edge of Existence

28 Monday Jun 2021

Posted by in Blind spots in thinking, Culture, Embodiment, Freedom, Hierarchy, Nature, Political Power, Subjectivity, Transcendence

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Fragment 178, word count: 1,044.

tags: existence, metaphysics, time, creativity, freedom, caring, drama, agency, empathy, science, religion, politics, patriarchy, civilization, malaise.

The difference made by recognizing a bit of metaphysics, specifically a certain conception of ideality, is a much needed and long overdue disruption of two canonical but failing universal explanations: religious personification of nature and the materialist fatalism of science. Thinking of ideality as embodied (discontinuous and discretely located) points and arcs of creative intentionality* opens a way to recognize human-scale freedom and creativity as real without wildly speculative and implausible personifications. Human reality is a beach where a personal interiority of ever-reshaping dramas made of caring and ideas (expectations and hopes, questions, aspirations, and intentions) gush out in deliberate activity and wash actuality. Features of brute actuality can be shaped into culture by these actions. Culture in this sense is any product of intentional craft, any effective application of purposive ideality to the merely natural material of actuality: the carved wood, the ploughed field. Freedom is real in this tumbling co-existence of gushing creative ideality and the absolute incompleteness of existence (both ideality and actuality) as witnessed in the endless passage of time. Any serious conception of freedom requires enduring points of ideality actively living, forming actuality, at the incomplete edge of existence, continuously actualizing a stream of spontaneously invented intentions within a personally learned and learning context of expectations. Knowledge is always an elaboration, specification, and development of personally created dramas of caring.

Since the European codification of mathematical science in the seventeenth and eighteenth centuries, after nearly a millennium of theocratic Christendom, the most innovating civilizations have been stuck with a dysfunctional codependence of scientific materialism and immaterial angels and demons. Both religion and science have ongoing appeal, science from rapidly developing commercial applications, especially communication and data processing technology (innovations in entertainment with advertising), vaccines of course; and religion from a most primitive reflex to personify the world, which is to suppose that purposive intentionality creates everything. But the binocular culture which perceives with the materialist lens in one eye and the world-personifying lens in the other is spectacularly unsuccessful delivering peace and justice in its political and governance arrangements, and no wonder. Science and religion have in common a fundamental legitimation of patriarchal hierarchy as core social organization. To be clear, this is top-down human-on-human macro parasitism, various forms of the master/ slave relationship. Religious personification asserts that such organization is the eternal divine plan (divinity is the primordial master), and scientific fatalism that such a food chain is made inevitable by immutable forces of nature. These are both conceptions of existence as profoundly complete, without any possibility for the creation of real novelty. In that context governance is a matter of imposing on everyone an orientation up the hierarchy for a sense of direction derived from an overarching culturally stipulated drama.

Culture in this sense is the complex system of imitative, repetitive, and normative human activity that expresses and sustains a collective’s sense of unity and identity. This is the sense in which culture, in the context of patriarchal parasitism, imposes a hive-mind on its participants. This has produced and maintained dystopian political regimes poisoned by the history of war culture abetted by religions that demand irrational credulity and fervent expressions of reverence and supplication upward, situating deity at the apex of human hierarchy. Outsourcing the determination of reality to a God, impersonal Platonic Ideas, or even just nature denigrates human ideality by alienating the creative work of conceptualization actually required and accomplished by individuals orienting ourselves in the world. It represents human interiority as a passive recipient of a pre-completed world, including the social and political world, and has the effect of cementing individuals into a mass mythology of inadequacy and dependence. Science further denigrates personal interiority by reducing it to biologically pre-determined lusts and reactions to external stimuli, and religion denigrates it as an engine of error and misery, completely hopeless without the controlling intervention of some more perfect and powerful personification.

Individual ideality, however, is profoundly more active and creative than religion or science can recognize. The primordial act of self-creation by every ideality is the supposition of time. Ideality is the non-actuality which supposes. Every ordinary living consciousness is a self-creating time-wave, living in and through a constant flight through time. A time-wave is a dramatically-propelled progressive change of suppositions. One vector of this flight consists of things slipping by and falling away, and the other vector is a dramatic personal leap into a supposed future. Time is a personal dimension of ‘metaphysical’ non-actuality in which, oriented with knowledge, expectations, and questions abstracted from a supposed ephemeral past, an intelligence creates specific intentions to project itself with a degree of creative freedom into an ever-newly-opening not-yet or future. This being-in-time distinguishes ideality from the natural world within which we build lives. Time is the opening of freedom-from-nature at the edge of existence and as such the transcendence that spiritual interiority brings to the beach of reality. With an appropriate sense of this interiority the personal importance of competitions and appearances falls away. The reason for a culturally obligatory reliance on socially constructed outward representations of personal identity with trophies (possessions, status, career path, social network, costumes, titles, personal hero story) is that there is no comfort with any conception of personal interiority in the culturally dominant conceptual system.

The political difference made by recognizing persons universally as metaphysical engines of spontaneous creativity, exploiting a precarious position at the edge of existence by improvising a desperately caring drama of sensitivity and personal expression, is a flattening of the political landscape. There is no justification here for master/ slave social organization. There is no general disrespect or denigration of humanity/ personality inherent in this conception. The political imperative changes from imposing control via belligerent us-against-them hive minds to cultivating and encouraging autonomous creativity and person-to-person interconnections shaped by empathy.

The often lamented malaise of civilization is the result of extreme cultural denigration of humanity/ personality combined with a romantic overestimation of the explanatory power of mathematical science. These have killed off innovative thinking involving metaphysics, but only a certain metaphysical reconceptualization can amend the currently toxic cultural legacy.

Note

* ‘Intentionality’ in the sense of pre-conceiving future interventions in actuality for specific purposes, a poise within the anticipatory ideation of agency.

Copyright © 2021 Sandy MacDonald.

Science and Empathy in Defining Dystopia

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Fragment 171, word count: 780.

There is a western consensus that the rapid launch of mathematical science in seventeenth and eighteenth century Europe drew the decisive line in human history, the crossing of which heralded a future with unlimited improvements in all human affairs. There was some speculation that after understanding the energies of nature humans would use them first to perform essential production work and then venture on to accomplish our fondest hopes. It was thought to be self-evident that ingenious mechanisms for channelling energies far greater than human and animal muscle power would free people from the physical burden of work and create such abundance that none would suffer privation. This, roughly, was the theory of science for a better world, material progress. It didn’t work out because understanding the energies of nature did nothing to change the cultural limits on how the wealthiest groups distributed empathy toward other breathing beings. The result is that now, in the early decades of the twenty-first century, the idea of progress, Better World Theory, is confused and seriously disputed. Developments in digital technology over the last half-century have given a new boost to STEM-based hopes for a better world, although weapons of mass destruction and climate change loom larger than ever and technology still doesn’t break down the cultural barriers to expanding empathy.

The reasons for intractable and extinction level problems in this age of mathematical science, which promotes itself as the means for solving all human problems, cannot be discovered by scientific research. Materialist science cannot settle the culture war between the core values of patriarchy from feudal Christendom along with other antique societies which similarly control strictly and sparsely licensed empathy, over against an emerging conception of culture and society based on a universality of empathy. Nostalgia for an imagined past along the lines of feudal Christendom is still widespread and a characteristic feature of fascism, a worse dystopia than what we have. From this perspective, what makes a society dystopian, a mortal danger to itself and others, is a poverty of empathy.

Populist Sense of Loss: Birthright and Patriarchy

The sense of loss that drives right-wing populism results from progress made in extending empathy, bringing with it some degree of dignity and equality, to previously denied people, and especially from the successes of feminism and its inexorable drift of values toward nurture and away from the masculine culture of dominance-derived pride. Right-wing populism is nostalgia for misogyny, racism, celebration of masculine strength, patriarchy, and terror of a supernatural masculine mind in the universe at large which decrees all those dystopian arrangements and certifies their eternal endurance.

There is also a populist rage against the elite status and honour of education and scholarship, of expertise, study, scribal skills and their culture, because they override the tradition of birthright. Birthright claims to be the decree of nature or the almighty creator, in which people are born to a certain social status as a man or as a person of the dominant race, a meaningful niche with a certain richness of rights, privileges, and dignities. In a world of education, there is no birthright. Everyone must accomplish what they can through effort and ingenuity. That has given women, racial minorities, and marginalized groups generally, a way to bypass birthright in dominant cultures.

The broadening of empathy is not an accomplishment of science or technology, and not likely to be helped by artificial intelligence. It is instead a product of the two culture engines identified as threats by the political right-wing: the culture of nurture and attachment cultivated mainly by women, and the scribal culture of broad literacy, inquiry, and scholarship. The posture of inquiry that is philosophy, for example, covering the whole of culture and experience, arises from a judgement, beginning from Socrates, that generally accepted cultural assertions are poorly supported by evidence and are often mere superstitions or misconceptions.

Early on in the twenty-first century, the political left-wing might be desperate in its struggle against advances by traditional patriarchy in a conservative, neoconservative, and neofascist onslaught, but in a long historical perspective the political right-wing is at least as desperate because people generally have become and continue to become more nurturing and to embrace nurturing ethics and values. Violence is less tolerated in many cultures than it was even one generation ago, although there are still forces striving mightily to legitimizing authoritarian patriarchy and top-down human-on-human macro-parasitism, brandishing and glorifying the tools of violence. The truth about individual human spirituality is that the potential for empathy is inherent and as near universal as we need for a better world.

Embedded links:

Fragment 165, July 5, 2020, The Genius of Ephemerality (word count: 595)

Fragment 99, November 2, 2016, What is Patriarchy? (word count: 3,700)

Copyright © 2020 Sandy MacDonald.

Wildcard Time-World Idealism

25 Sunday Oct 2020

Posted by in Class War, Embodiment, Freedom, Political Power, Subjectivity, Transcendence

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Fragment 169, word count: 1,230.

At the heart of Romanticism is the cultural perspective of aristocracy, essentially a pessimistic fatalism, definitive of the political right-wing, in which the brutality of master/ slave social organization is taken to be inevitable, decreed for eternity by nature or God. In that dystopia, only reveries of magic, beauty, and masculine heroism provide the precious little light in the tragically inescapable gloom. However, nothing in human affairs is really inevitable because human affairs are constructs of multiple idealities, and idealities, persons, are fountains of spontaneous novelty, of original interventions into the situation of a moment, fountains of freedom. Conceptions of this freedom are forms of idealism.

A way of distinguishing one kind of idealism from another is by the extent each understands ideality as creatively projecting novelty into otherwise predetermined actuality conceived as in standard materialism: utterly devoid of purpose. For example, there is no novelty of a willfully creative and spontaneous kind in Plato’s idealism, although some accidental novelty might occur randomly in the illusions experienced as ordinary appearances. Plato’s idealism, and generally the muted idealism at the core of rationalism, builds on a reverence for mathematics by speculating that the perfection of mathematics reveals an immaterial, timeless, and primordial reality from which is projected (imperfectly) the eventful world we experience. In the context of understanding human affairs, mathematics is a short road to dystopia.

Time-World Idealism in the Dystopian Context

Recognition of time as the primordial context of individual human existence is the portal to an idealism that is relevant in the dystopian political and cultural context as a countervailing force against the declarations of natural or divine determinism (the perspective of aristocracy) which are crucial features of dystopian world-system concepts.

The problem with logical argument as a technique of inquiry into things as experienced was pointed out by Bertrand Russell: Logical argumentation is not how original insights are discovered. Using other means, people come upon claims they judge to be important and worth defending and then search for premises and arguments that produce them as logical conclusions. Philosophical insights are first generated by something like phenomenology, an innocent curiosity about lived experience and agency. So, the primary technique of thinking philosophically, the technique that brings us to the crucial idealism, is engaging with experience from innocent curiosity, a curiosity that has been de-cultured and so released from normal bias and prejudice.

Phenomenology is always an effort to bring ideality into some degree of conceptual focus. It is never a scientifically measuring object-ology. It is explicitly a description of experience as ideality, objects as taken in and made sense of by a questioning, knowing, interested, and caring subject. So, all phenomenology is phenomenology of spirituality, plausibly the only way to quest for knowledge of spirituality. Since Edmund Husserl (1858-1938), the definitive move of phenomenology is bracketing off the question: does this appearance accurately represent something that is completely independent of being perceived?, so to remove any suggestion of defining knowledge of a “thing in itself” as objective reality. And yet, even in Husserl and his massive legacy there remains an emphasis on objects and objectification.

The problem with phenomenology has been that sensory impressions are taken as the elemental evidence, taken in a way that is already objectified. They are conceived as patches of colour, an auditory pitch, a feeling of roughness or pressure, a scent or taste of coffee, all removed from the context of a personal dramatic purpose-in-time which brings someone to notice them. There is the usual assumption that time is not primordial, but instead a superstructure to be put aside in describing the basic phenomena from which everything else, including time, will be assembled later. However, the thinking subject, a questioning future-ward-leaping will-to-learn and will-to-express-itself, cannot be assembled from the passive excitations of sensory impressions, or from the objects they make available for discovery and identification. Sensory impressions or the objects they locate cannot be made into care, cannot be made to construct an interest in themselves. Caring is prior, and primordially a leaping future-ward, using knowledge of the time-world as personal possibility.

None of the phenomena of receptive sensations can combine to construct the desperate future-ward leap of curiosity, the drama of a questioning will to gaze, to search, to leave a personal mark and make a personally gratifying life. Sensory perception cannot assemble whatever questioning sensibility is expressing the vector of such drama in an act of perceiving, a drama formed of complex expectations, vectors of intention in action, and this moment of searching curiosity. You know your own sensibility by self-creating and inhabiting your life-drama. The sensibility performing a perceiving cannot be an object of sensory perception, and requires a conception of its presence different from perceived actuality: primordially purposeful ideality.

Phenomenology of Personal Drama: An Idealism

Humanity/ personality, as ideality, is the creation of freedom by supposing the possibility or impossibility of multiple personal futures, and so freedom through creativity is fundamental and universal to individual personalities. We individually create a supposition of decreasingly remote approaching not-yet and increasingly remote receding no-longer as an imprint on the newness and open incompleteness in which we act, a primordial context of time in which we intervene in brute actuality as purposive, dramatic, agents. Personality supposes (posits as ideality) a context that enables its agency in a personal drama, a time-world of personally specific approaching futures, both possible and impossible non-actualities, a mutable opening in the fabric of reality. Ideality is what leaps ahead, a leaping that makes the world matter. That ideality is empathic is crucial to its personal drama, and along with empathy comes the drama of good and evil. Good is acting with the purpose of expressing empathy, evil is acting in contradiction, denial, or refusal of empathy.

Wildcards

Ideality leaps into an opening of its own supposing, as a vector of time which plunges future-ward with a specific spur-of-the-moment creative will to inject spontaneous (not random) novelty into actuality at the location of personal embodiment. Such a will-to-create a personally suitable future is obviously not nature, which always just falls predictably according to laws of inertia and entropy, a vector of time in which everything is slipping away. The vector of time which leaps toward a future of its personal devising transcends nature by its personal injection of unpredictable creativity. Creation of the world is unfinished, undecided, continuing through the agency of a multitude of embodied wildcard idealities. We are more time-waves than particles of any kind, individually self-shaping waves through time.

The reason for a culturally obligatory reliance on socially constructed outward representations of personal identity with trophies (possessions, status, career path, social network, costumes, titles) is that there is no comfort with any conception of personal interiority in culturally dominant conceptual systems founded on ideas of God and nature. As an alternative to the historically aristocratic and patriarchal glorification of trophy property as manifest demonstrations and proofs of personal power and worth, we place inward consciousness and agency: the ability and opportunity to feel and follow a delighted questioning curiosity, as from a profound innocence, exercising creative freedom to engage in the ethical enterprise of aligning personal freedom with the transcendent freedom of everyone around.

Embedded links:

Fragment 19, February 10, 2012, Mathematical Rationalism in the Baroque Era (word count: 1,101)

Fragment 153, September 28, 2019, De-Culturing (word count: 458)

Copyright © 2020 Sandy MacDonald.

Time-World

24 Thursday Sep 2020

Posted by in Embodiment, Freedom, Subjectivity

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Fragment 168, Word Count: 480.

Ideality is a desperate engagement with the passing of time, a moving shape of caring that feels, anticipates, and fills the passing of time. It is a person actively living a particular embodied life in the time-world. Decreasingly remote approaching not-yet and increasingly remote receding no-longer is the primordial context for every person’s dramatic agency, for personality, humanity, spirituality, intelligence, sentience. Ideas are acts of opening and connecting in the dramatic edifice of orientation which is a sensibility, a preparedness for carrying on, having learned, searching and going further, opening future-ward in expression of a personal peculiarity of creativity, newly launching an expression for this moment. Ideality is the spontaneous vector in the passing of time, the creatively aspirational vector, expressing freedom. Freedom is the moment to moment originality of the creativity of ideality. Every person’s living is a developing drama conferring a shape of relevance and importance on its envelopment of inertial/ entropic nature. In that way any and every person enchants the entirety of existence, makes it dramatic, makes it matter, some parts more than others, crucially different for every individual.

A monadic centre of agency, spinning out a personal drama which is a continuously located movement in the time-world, is defined by a seeking gaze, a questioning, curiosity from an ever-learning poise of orientation and bearing-further, readiness for surprising discovery and empathic encounters acknowledging other dramatic agents. Language* competence is a complex edifice of readiness, of knowing and empathy. Knowing the taste of Chardonnay isn’t an image, but a vigilant readiness to recognize sensations. Sensibility is everything a person is looking for, centrally and peripherally, both what is expected and what would count as surprisingly good or surprisingly bad, an active poise of sensitivities from ever-greater accumulations of increasingly remote acquaintances. The crucial intervention of a personal sensibility is to bring to any here and now all the learned context, in the form of vigilant readiness and an intentional direction of effort, that gives the moment meaning and sense. Sensibility is an individual’s expectations and personal intentions engaging every moment of sensitivity as a lens through which sensations transform into features of a coherent world that is stage setting for the personal drama but especially for what’s next in the drama. The centre of agency is reading sensations through the interpreting lens of a knowing, caring, and actively aspiring sensibility, already shaping what’s next.

In ceaselessly passing time and without an otherwise fixed essence, personality, as a point and arc of agency, has an inherent imperative to create (and power to do so, moment by moment) an ever revising personal presence and passage through an unstable and temporally discontinuous actuality. To anticipate and act with intent is to dwell in the personal tilt or bearing-further beyond now and no-longer, into the unformed not-yet which is freedom.

* Fragment 140, January 25, 2019, The Most Important Event in History (word count: 1,077. See subsection: Empiricism’s Evasion of Metaphysics.

Copyright © 2020 Sandy MacDonald.

The Genius of Ephemerality

05 Sunday Jul 2020

Posted by in Embodiment, Freedom, Nature, Subjectivity, Transcendence

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Fragment 165, word count: 595.

There is a longstanding pattern in the Western intellectual tradition of artificially separating a cognitive-rational aspect of a person’s engagement with experiences from the active play-out of emotional drama which is a person’s life in the world (and the definitive existence of ideality). As well as dealing with the precarious situation of living on the surface of planet Earth, what mainly shapes the drama for everyone is seeking out other sensitive beings to nurture and care for, constructing profound and enduring relationships with them. In this way ideality (always I-deality) is primarily empathy. Learning facts about things and solving problems are strictly incidental to the conceived imperatives of empathy. On the basis of the separation of cognition from empathic and dramatic agency, an edifice of conceptions has been built distinguishing data, facts and truths, from the emotional drama of “subjectivity” (often denigrated as inherently biased and limited by specific embodiment). However, it is always someone’s emotional drama which confers identified existence on anything.

We carry on living on the basis of a practical certainty that there is an actuality, some of which we eat and breathe and make clothes from. Actuality is what it is and persists in its nature quite independently of how it is conceived by us multitude of individually embodied ideality living with it. Yet it does permit a variety of ways of being conceived, and our ways of conceiving it express how things matter to us in the active play-out of drama which is life in the world.

The genius of ideality is creative ephemerality, turning ephemerality from imminent oblivion to an endurance of never-ending newness made possible by purposefully plunging and probing through time, conceiving freedom in a strictly non-actual but variably probable and possible future. The questioning push directing ideality’s gaze at the world is a self-directed re-orientation in flight: with a specifically directional bearing but also questioning, always incomplete. What is crucial to subjectivity is semi-reliable markers for orientation, to make agency,  operating into an open future, possible. We orient ourselves with ideas about actuality and other personalities, interpretations of experience, concepts created in the context of the teleological need for an open-ended and socially interconnected future-ward arc of living. Ideas are constructive acts of a consciousness living a life in the world, acts of gazing, creative acts of a knowing and learning at the questing point of an arc of purpose. Ideas are openings of newness, created outside actuality, interventions of an instance of a supra-actuality, non-being, which is the existence of living consciousness.

Individual subjectivity has to conceptualize and re-conceptualize the structures of the world, and to intervene in forming and altering those structures by exploiting the instability of actuality experienced as the passage of time. Having the power to do that is the genius of ideality. Knowledge is precisely a state of subjectivity in relation to the world in which a subject lives and orients itself. Nothing can be knowledge except in someone’s knowing, and only a particular subject/ person can know anything. Knowledge is first and always someone’s ideas. The conceptions of reality created by subjective ideality, and their cultural expressions, are tentative and mutable under the force of new experience, deliberation, and creativity. There is no absolute world-order (as in Plato) given (as data) to be known without the constructive activity of subjective ideality. Learning is a change of directionality of intent, expectation, and aspiration, of orientation, rather than a collecting and recollecting of images or word strings.

Notes

“ … Here is such a definition of truth: An objective uncertainty, held fast through appropriation with the most passionate inwardness, is the truth, the highest truth there is for an existing person.” Concluding Unscientific Postscript to Philosophical Fragments, An Existential Contribution, Volume I: Text with Introduction and Notes, written by Soren Kierkegaard, Edited and Translated by Howard V. Hong and Edna H. Hong, Princeton University Press, Princeton, New Jersey (1992). ISBN 0-691-02081-7. (p. 203)

“Feeling is a kind of knowing; it is only through our feelings that we know that we have been insulted, that we love someone, that danger lies ahead or that it is uncertain what next step we ought to take.” How to Be an Epicurean, The Ancient Art of Living Well, written by Catherine Wilson, Published by Basic Books, an imprint of Perseus Books, LLC, a subsidiary of Hachette Book Group, Inc. (2019). ISBN: 978-1-5416-7263-5. (p. 269)

Copyright © 2020 Sandy MacDonald.

Philosophy is Possible

11 Thursday Jul 2019

Posted by in Culture, Embodiment, Freedom, Subjectivity, Transcendence, Why thinking?

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Fragment 150, word count: 428.

Philosophy as an interior act and process of self-directed reorientation is possible because of a personally interior fountain of spirituality: questions, intents, evaluations, abstractions and ideas which give structure and movement to experience. Ideas are always and only features of an individual person’s orientation and temporal bearing in the world, but everyone’s ideas are influenced and often imposed by an ambient culture. Every individual is colonized by the culture into which he or she is born. Agents of cultural communities strive to particularize, distinguish, and glorify their collective by stipulating key communal ideas to form a human sort of hive mind. The posture of philosophical questioning arises from recognizing that lived reality is mutable because ideas make up much of the structure of that reality, and that generally accepted cultural stipulations are often just superstitions and toxic misconceptions. Philosophy as an interior act and process is a personal assertion of spiritual individuality by moving beyond cultural stipulations. This builds from features of experience that would be just as they are without a person having learned to be part of a nation, a religious community, an ethnic group, a linguistic community, a socio-economic class, race, or gender; encountering the way personality lives beyond and beneath any cultural qualifiers and categories such as linguistic ethnicity, skin colour, body size and shape, age, giftedness, education, social status, or nationality. Here in Socratic innocence is a spiritual fountain positing non-actualities in the shape of time, anticipating the ever decreasing remoteness of multiple possibilities, variously probable occurrences presenting opportunities for acts of agency to improvise an embodied life in the world. In positing time as it does, personality creates teleology, freedom, and itself as active and effective ideality. Freedom is the power to posit. Rocks and rivers don’t posit anything, but only fall.

Certainly there is the brute actuality of rocks and rivers, but there are also active occurrences of supra-actuality, separate embodied points and arcs of intervention  imposing locally invented novelty onto the shape of the fall lines of actuality. Any politics conceived for a strong nurture of freedom must recognize this spontaneous creativity, novelty, and indeterminacy within brute actuality, a conception of transcendence at the level of the embodied individual. Philosophy as the interior act and process of a particular supra-actuality calls up the perspective of sentient being simply as such, of teleological being, living personality in the most general sense. In removing itself spiritually from culturally structured collectives, in finding the way to be most alone, this interior act must embrace the most universal empathy.

Copyright © 2019 Sandy MacDonald.